"End Credit" by Alan Silvestri had its release date on December 12, 1991. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 18 in Father Of The Bride (Music From The Motion Picture) by Alan Silvestri. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, End Credit's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of End Credit by Alan Silvestri is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Opening Day | William Ross | D Major | 2 | 10B | 102 BPM | ||
| The Chase | Amelia Warner | E Minor | 1 | 9A | 66 BPM | ||
| The Black Stallion (Theme Reprise) | Czech Philharmonic Chamber Orchestra | E Major | 2 | 12B | 121 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) | Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra | D♭ Major | 0 | 3B | 146 BPM | ||
| Lucille's Theme | Maurizio Malagnini | E Major | 1 | 12B | 132 BPM | ||
| I'm Gonna Miss You | Alan Silvestri | D Major | 1 | 10B | 109 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| Paper and Pen | James Shearman, Nick Ingman | D Major | 1 | 10B | 81 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| Skyline Date (From "Return to Me") | Nicholas Pike | F♯ Minor | 0 | 11A | 81 BPM | ||
| A Dog’s Journey – Main Title | Mark Isham | G Major | 2 | 9B | 148 BPM | ||
| Love and Work | Theodore Shapiro | D Major | 3 | 10B | 144 BPM | ||
| Parents of Two | Theodore Shapiro | C Major | 1 | 8B | 126 BPM | ||
| A Golden Childhood | Patrick Doyle | G Major | 1 | 9B | 87 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| Fast Forward | Alan Silvestri | A Minor | 0 | 8A | 134 BPM | ||
| Flying Kites | Lorne Balfe | C Major | 3 | 8B | 89 BPM | ||
| I Met Someone (From "Return to Me") | Nicholas Pike | F Major | 1 | 7B | 72 BPM | ||
| Annie At The Mirror | Alan Silvestri | F Major | 2 | 7B | 85 BPM | ||
| So! | Trevor Rabin | G Major | 3 | 9B | 110 BPM | ||
| The Story of Peter Rabbit | Nigel Westlake | D Minor | 1 | 7A | 139 BPM | ||
| Mr. Knightley | Isobel Waller-Bridge, David Schweitzer | G Major | 1 | 9B | 74 BPM | ||
| Last Letter | Gabriel Yared | G Minor | 2 | 6A | 79 BPM |