"Interlude #5" by John Vanderslice had its release date on 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Vanderslice's "Life And Death Of An American Fourtracker" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Interlude #5 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Interlude #5 by John Vanderslice to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crushed Bones | WHY? | F♯ Major | 9 | 2B | 176 BPM | ||
| Caroline Avenue | Tarkio | D Major | 8 | 10B | 127 BPM | ||
| You Remind Me of Home | Benjamin Gibbard | D Major | 4 | 10B | 88 BPM | ||
| Evil Bee | Menomena | A Major | 4 | 11B | 122 BPM | ||
| Rollerskating | Bright Eyes, Neva Dinova | C Major | 7 | 8B | 154 BPM | ||
| Well-dressed | Hop Along | A♭ Major | 3 | 4B | 77 BPM | ||
| Arc of Time (Time Code) | Bright Eyes | B Major | 8 | 1B | 115 BPM | ||
| Go Places | The New Pornographers | C Major | 5 | 8B | 117 BPM | ||
| Sleeping Beauty | Menomena | B♭ Major | 6 | 6B | 160 BPM | ||
| Explain | Jeremy Enigk | F Major | 5 | 7B | 117 BPM | ||
| Overcoat | John Vanderslice | E Minor | 7 | 9A | 156 BPM | ||
| I Must Belong Somewhere | Bright Eyes | C Minor | 8 | 5A | 104 BPM | ||
| Farmer Chords | Benjamin Gibbard | E♭ Major | 5 | 5B | 142 BPM | ||
| Ultra Violet | The Extra Glenns | A Major | 4 | 11B | 121 BPM | ||
| Requests | John K. Samson | G Major | 2 | 9B | 78 BPM | ||
| She Just Happens To Date The Prince Of Darkness | Say Hi | C Major | 2 | 8B | 82 BPM | ||
| Alien Christ | Cloud Cult | A Major | 7 | 11B | 106 BPM | ||
| In Stitches | David Bazan | D Minor | 4 | 7A | 93 BPM | ||
| Handsome Furs Hate This City | Handsome Furs | C Major | 8 | 8B | 79 BPM | ||
| It'll Be A Breeze | The Long Winters | D Major | 9 | 10B | 143 BPM | ||
| Bad Things To Such Good People | Pedro The Lion | C Minor | 5 | 5A | 112 BPM | ||
| Don't Change | David Bazan | F♯ Major | 2 | 2B | 109 BPM | ||
| Get-Well-Cards | Conor Oberst | D Major | 7 | 10B | 116 BPM | ||
| Destroyer's the Temple | Destroyer | C Major | 7 | 8B | 109 BPM | ||
| Baltimore | The Extra Glenns | D Major | 6 | 10B | 107 BPM |