"Fairies" by Bardic Fae, Lydia Munchinsky had its release date on July 4, 2025. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Fairies's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Fairies and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fairies is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fairies by Bardic Fae, Lydia Munchinsky is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Potamoi | Keith Merrill | B♭ Major | 2 | 6B | 82 BPM | ||
| The Architect | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| Whispering Faith | Violin Sky | D♭ Minor | 1 | 12A | 106 BPM | ||
| The Ballad of Never After | Fae Wildling | B♭ Major | 4 | 6B | 93 BPM | ||
| Evenfall | David Chappell | F♯ Minor | 3 | 11A | 83 BPM | ||
| Celtic Home | TMS Underscores, Cory Alstad, Lydia Munchinsky | B Major | 0 | 1B | 63 BPM | ||
| Angelica | Eric Michael Robertson, Dune Moss | E Major | 0 | 12B | 63 BPM | ||
| Awakening Woods | Alisa Marie | B♭ Major | 1 | 6B | 126 BPM | ||
| Breaking the Cycle | Keith Merrill | A♭ Minor | 2 | 1A | 69 BPM | ||
| Guardian of the Ancient Flame | The Eternal Orchestra | G Major | 5 | 9B | 144 BPM | ||
| Tide | Power-Haus, Christian Reindl, Sebastian Pecznik | D Minor | 6 | 7A | 150 BPM | ||
| ode to the blue sky | praam | C Minor | 0 | 5A | 101 BPM | ||
| In Light | Adi Goldstein | D♭ Major | 1 | 3B | 89 BPM | ||
| Chapter 14 (The Suriel's Theme) | Lindsay Dills | D Minor | 4 | 7A | 150 BPM | ||
| The Swamp of Despondency | Lydia Munchinsky | C Major | 2 | 8B | 79 BPM | ||
| Upon a Hill | Jamie Duffy, Atli Örvarsson | C Major | 0 | 8B | 75 BPM | ||
| Golden Caravan | Andreas Müller | D Minor | 5 | 7A | 128 BPM | ||
| Procyon | Sebastian Zawadzki | F♯ Minor | 3 | 11A | 79 BPM | ||
| Chambers of the Hollow Crown | Keith Merrill | G Minor | 2 | 6A | 85 BPM | ||
| Burlone | Karim Medlej | G Minor | 2 | 6A | 78 BPM | ||
| Lith | Kyle Preston | G Minor | 2 | 6A | 66 BPM | ||
| As our worlds meet | Elie Abou Nasr, Elie Samir Abou Nasr | E Minor | 1 | 9A | 155 BPM | ||
| Faeries? Faeries! | Honey & Hollow | A Major | 2 | 11B | 166 BPM | ||
| Isle Royale | Gavin Luke | A Minor | 0 | 8A | 142 BPM | ||
| Beginning to End: Act III | Hendyamps Studios | C Minor | 2 | 5A | 83 BPM |