Rameshwar Pathak's ' "Moi Kene Najanu" was released on its scheduled release date, March 26, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rameshwar Pathak's "Hits Of Rameshwar Pathak" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Moi Kene Najanu is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Moi Kene Najanu by Rameshwar Pathak to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Bagdanavala No Melo | Hemant Chauhan | B♭ Minor | 7 | 3A | 113 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Anandamoyee Uma | Padma Palash | D♭ Minor | 4 | 12A | 140 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Amar Pujar Thalay | Manomay Bhattacharya | F Major | 4 | 7B | 140 BPM | ||
| Jamunar Nila Jale | Rameshwar Pathak | G Major | 7 | 9B | 143 BPM | ||
| Bolbo na Ar Premer kotha | Sukumar Baul | D♭ Minor | 5 | 12A | 148 BPM | ||
| Angle Kebono Sejaya | Bimal Debbarma | F♯ Minor | 3 | 11A | 88 BPM | ||
| Tame Bhave Bhajilo Bhagwan | Gyanjeevan Das | A♭ Major | 5 | 4B | 105 BPM | ||
| Gadachina Kaalamanthaa | Symphony Music, A R Stevenson | G Minor | 5 | 6A | 160 BPM | ||
| Ami Andhar Bhalobasi Bole | Pannalal Bhattacharya | A♭ Minor | 4 | 1A | 70 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM | ||
| Chatak Rangilo | Harikrishna Patel | E Minor | 9 | 9A | 80 BPM | ||
| Antaro Bahire | Amrik Singh Arora | C Minor | 5 | 5A | 82 BPM | ||
| San Gauri Ganpaticha | Neha Rajpal, Sachidanand Aappa | G Major | 7 | 9B | 105 BPM | ||
| Oi Ranga Ranga Duti Paye | Amrik Singh Arora | B♭ Minor | 5 | 3A | 148 BPM | ||
| Kiti Belachi Aawdi | Ajit Kadkade | B♭ Major | 6 | 6B | 112 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Dattaguruna Smara | R.N. Paradkar | D♭ Minor | 4 | 12A | 101 BPM | ||
| Dayamoi Nath | Dhanda Pathak, Rameshwar Pathak | A♭ Major | 5 | 4B | 165 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Baro Mase Tero Phul | Dohar | E Major | 2 | 12B | 157 BPM | ||
| BRINDABAN BILASHINI RAI AMADER | Aditi Munshi | F♯ Major | 6 | 2B | 153 BPM | ||
| Tumi Prabhu Anathar Nath | Rameshwar Pathak, Dhanada Pathak | A♭ Major | 3 | 4B | 92 BPM |