Betty Carter's 'I Can't Help It' had a release date set for January 1, 1999. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. I Can't Help It's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Priceless Jazz 39 : Betty Carter". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. In terms of popularity, I Can't Help It is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Can't Help It by Betty Carter having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tight | Betty Carter | E Minor | 3 | 9A | 140 BPM | ||
| Tight - Live At Bradshaw's Great American Music Hall, San Francisco/1979 | Betty Carter | D Major | 3 | 10B | 132 BPM | ||
| There's A Boat Dat's Leavin' Soon For New York | Ernestine Anderson | A Minor | 2 | 8A | 117 BPM | ||
| For All We Know | Ray Charles, Betty Carter | E♭ Major | 2 | 5B | 110 BPM | ||
| Body And Soul | Morgana King | F Minor | 1 | 4A | 142 BPM | ||
| Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
| Last Night | Katherine Kostoff, Gil Goldstein | C Major | 2 | 8B | 81 BPM | ||
| The Late, Late Show | Dakota Staton | A♭ Major | 2 | 4B | 132 BPM | ||
| Misty - Remastered | Dakota Staton | B Major | 0 | 1B | 119 BPM | ||
| I Got A Right To Cry - Remastered | Mose Allison | A♭ Major | 3 | 4B | 120 BPM | ||
| Beautiful Love | Anita O'Day | F Minor | 2 | 4A | 83 BPM | ||
| Something Wonderful Happens | Nancy Wilson | F♯ Minor | 1 | 11A | 112 BPM | ||
| When Your Lover Has Gone | Dorothy Dandridge | B Minor | 1 | 10A | 115 BPM | ||
| Detour Ahead | Irene Kral | G Major | 1 | 9B | 170 BPM | ||
| One Never Knows, Does One? | Jody Sternberg, Alain Jean-Marie | G Major | 1 | 9B | 138 BPM | ||
| Dedicated to You - Remastered 2003 | Carmen McRae, Shirley Horn | B♭ Major | 0 | 6B | 140 BPM | ||
| I'm The Greatest Star | Emma Smith | G Major | 2 | 9B | 121 BPM | ||
| Moonray | Dakota Staton | G Minor | 1 | 6A | 121 BPM | ||
| Señor Blues | Mark Murphy | C Minor | 1 | 5A | 98 BPM | ||
| Unspoken - Retro Version | Ella Fitz | E Minor | 4 | 9A | 136 BPM | ||
| You Hit the Spot | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | A Major | 4 | 11B | 103 BPM | ||
| Everytime We Say Goodbye | Karrin Allyson | D♭ Major | 3 | 3B | 76 BPM | ||
| You Go To My Head | Susannah McCorkle | A♭ Minor | 0 | 1A | 111 BPM | ||
| Bluesette | Sue Raney | G Major | 4 | 9B | 121 BPM | ||
| Willow Weep For Me | Dakota Staton | C Major | 3 | 8B | 97 BPM |