"It's Gonna Keep Comin'" by William Ross had its release date on January 1, 2012. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. It's Gonna Keep Comin''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Touchback (Original Motion Picture Soundtrack)". In this album, this song's track order is #24. It's Gonna Keep Comin' is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It's Gonna Keep Comin' by William Ross having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Am I Your Girlfriend Now? - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | G Minor | 1 | 6A | 70 BPM | ||
| Monterey | David Schweitzer | D Minor | 0 | 7A | 97 BPM | ||
| You're Gloating | Carlos Rafael Rivera | F Minor | 1 | 4A | 134 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Will Strikes Out | William Ross | G Major | 3 | 9B | 154 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Guinevere Comes To Lancelot | Carter Burwell | C Major | 0 | 8B | 62 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Arlo Makes His Mark - From "The Good Dinosaur" Score | Mychael Danna, Jeff Danna | D♭ Major | 2 | 3B | 62 BPM | ||
| Okinawa Battlefield | Rupert Gregson-Williams | E Minor | 2 | 9A | 110 BPM | ||
| The Final Kiss | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| The Dreams that Stuff is Made Of | Jóhann Jóhannsson | C Minor | 1 | 5A | 58 BPM | ||
| Neptun | Niklas Wagner | E Minor | 0 | 9A | 146 BPM | ||
| Where Does That Leave Me? | Rupert Gregson-Williams | D Minor | 1 | 7A | 136 BPM | ||
| The Origins of Time | Jóhann Jóhannsson | C Major | 0 | 8B | 75 BPM | ||
| Wild Spaces | David Schweitzer, Eurielle | C Major | 4 | 8B | 134 BPM | ||
| A Calling | Rupert Gregson-Williams | D Major | 0 | 10B | 84 BPM | ||
| Tuck's Letter | Aaron Zigman | C Major | 1 | 8B | 57 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Dreams | Pinar Toprak | D Major | 3 | 10B | 134 BPM | ||
| Opening Titles | William Ross | G Major | 1 | 9B | 67 BPM |