Romesh Sugathapala's ' "Bala Innam" was released on its scheduled release date, April 8, 2020. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Romesh Sugathapala's "Mandakini" album is number 2 out of 13. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Bala Innam's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Bala Innam by Romesh Sugathapala to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nitambani | Hiran Thenuwara | B♭ Major | 4 | 6B | 110 BPM | ||
| Hinahena Wala | Muthuja Sanahas, Santhur | E Minor | 3 | 9A | 115 BPM | ||
| La Sanda | Sadeeptha, Ridma Rangana | F Minor | 9 | 4A | 90 BPM | ||
| Mandakini | Romesh Sugathapala | B Minor | 7 | 10A | 77 BPM | ||
| Ebikam Karala | Nilan Hettiarachchi | A Minor | 6 | 8A | 89 BPM | ||
| Lamathani | Sangeeth Wijesuriya | G Major | 6 | 9B | 98 BPM | ||
| Kumudu liye | Chamara Weerasinghe, Aradhana Ekanayaka | D Major | 6 | 10B | 132 BPM | ||
| Meewitha Piruna | Dinesh Tharanga | G Minor | 7 | 6A | 173 BPM | ||
| Maa Nubata Pemkale | Dinesh Tharanga | D♭ Major | 3 | 3B | 120 BPM | ||
| Nupurudu Adare Thrikone | Nilan Hettiarachchi | A♭ Minor | 4 | 1A | 109 BPM | ||
| Nodaka Inna Ba | Ruwan Hettiarachchi | F♯ Minor | 6 | 11A | 57 BPM | ||
| Yayata Payana | Prihan Madappuli, Nathasha Perera, Iraj | G Major | 5 | 9B | 140 BPM | ||
| Oya As Katha karanawa | eTunes, Nimesh Kulasinghe, Harsha Dhanosh | A♭ Major | 3 | 4B | 127 BPM | ||
| Sanda Kumari Mage Manali | Chandana Liyanarachchi | E♭ Major | 4 | 5B | 150 BPM | ||
| Paalu Seetha Rathriye | Chandralekha Perera | E Minor | 4 | 9A | 98 BPM | ||
| Perawadanak (Plain Tea Version) | SANUKA | B♭ Minor | 1 | 3A | 149 BPM | ||
| Re Pura | Damith Asanka | G Minor | 7 | 6A | 120 BPM | ||
| Pathu Senehe | Thilina Ruhunage, Kushani Sandarekha, Poorna Sachintha | B Minor | 6 | 10A | 140 BPM | ||
| Channa Kinnaravi | Bachi Susan | C Minor | 4 | 5A | 135 BPM | ||
| Oba witharamai | Kasun Kalhara, Sashika Nisansala | G Minor | 5 | 6A | 190 BPM | ||
| Nethu Hamuweela | Romesh Sugathapala | C Minor | 7 | 5A | 120 BPM | ||
| Manaranjana | Surendra Perera | F Minor | 8 | 4A | 97 BPM | ||
| Kawiyak Wee | Asanka Priyamantha | F Minor | 5 | 4A | 102 BPM | ||
| Vikasitha Watha Kamale - Remake | Amal Perera | B♭ Major | 6 | 6B | 125 BPM | ||
| Mama Sil Bidagaththe | Iraj | A Minor | 8 | 8A | 80 BPM |