On April 27, 2000, the song "Soortan" was released by Satwinder Bitti. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Dupatta by Surjit Bindrakhia, Hans Raj Hans. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Soortan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Soortan by Satwinder Bitti is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chit Kardai Sohneya | Sajan Firozpuri | B♭ Minor | 9 | 3A | 90 BPM | ||
| Gaoun Waliyan Wangu | Dharampreet, Kuldeep Rasila, Surinder Bachan, Buta Bhairupa | B Minor | 9 | 10A | 116 BPM | ||
| Gidde Vich Saali Nachdi | Mohd. Sadiq, Ranjit Kaur | F Major | 7 | 7B | 129 BPM | ||
| Auqaat | Ranjit Rana | C Minor | 10 | 5A | 80 BPM | ||
| Dhakka Na Karin Baidh Ji | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 106 BPM | ||
| Hik Da Hawai Adda | Bagga Safri, Kiran Jyoti | D♭ Major | 7 | 3B | 97 BPM | ||
| Nikki Hundi Teil Maldi | Amrik Toofan, Harjeet Mattu | D♭ Minor | 8 | 12A | 180 BPM | ||
| Reej | Satwinder Bitti | B Minor | 8 | 10A | 160 BPM | ||
| Machail Wali Maa Mindhal Wali Maa | Naveen Punjabi | F♯ Minor | 9 | 11A | 170 BPM | ||
| Tere Uttey Aa Gaya Dil | Karamjit Anmol | D♭ Minor | 8 | 12A | 82 BPM | ||
| Khair Mangti Noon | Deepak Maan | A♭ Minor | 10 | 1A | 114 BPM | ||
| Gaddi Diyan Jhalra | Avtar Chamak, Biba Harjot | A♭ Major | 7 | 4B | 82 BPM | ||
| Kaase Wich Dil Rakhde | Rani Randeep | F Minor | 7 | 4A | 85 BPM | ||
| Ton Badli So Var | Nusrat Sardol | D♭ Major | 8 | 3B | 147 BPM | ||
| Jawani Badi Tang | Amarjit Nagina, Kiranjoti | D♭ Major | 9 | 3B | 170 BPM | ||
| Charh Laindey Jawani | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM | ||
| Ni Asi Taithon Dil Waria | Lakha Brar, Anita Samana | D♭ Major | 10 | 3B | 122 BPM | ||
| Aauni Ni Jawani Chhado Jhaak Mitro | Hakam Bakhtarwala, Daljeet Kaur | B Major | 9 | 1B | 140 BPM | ||
| Pind Siftan Kare | Raja Sidhu, Rajwinder Kaur | D♭ Major | 9 | 3B | 170 BPM | ||
| Ik Pegg Ehdey Vichon La | Major Rajasthani, Surpreet Soni | B Minor | 7 | 10A | 118 BPM | ||
| Galli Baati | Sandeep Akhtar | B Minor | 8 | 10A | 102 BPM | ||
| Cinme Nu Chal Mere Naal | Harbhajan Shera | B♭ Minor | 8 | 3A | 92 BPM | ||
| Nikkiye Saaliye | Dharampreet, Kuldeep Rasila, Surinder Bachan, Hakam Bakhtari Wala | B Minor | 7 | 10A | 118 BPM | ||
| Pardesiyan Naal Yaari | Amrik Toofan, Harjit Mattu | D♭ Major | 7 | 3B | 173 BPM | ||
| Aaundi De Phir Gai Daang | Nirmal Bhadkeela, Anita Samana | A Major | 9 | 11B | 120 BPM |