On June 18, 2007, the song "Tati Tawi" was released by Jashan Deep, Veer Davinder. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Rees Koi Nee Kar Sakda Mere Baajan Wale Di". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Tati Tawi is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tati Tawi by Jashan Deep, Veer Davinder having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sardaa Angaare | Sufi-Punjabi | F♯ Major | 5 | 2B | 88 BPM | ||
| Narme Nu Millibug | Manjit Sandhu, Kulwant Kaur | B Major | 9 | 1B | 105 BPM | ||
| Kale Kachhay Wale Da | Amrik Toofan, Harjit Mattu | D♭ Major | 9 | 3B | 92 BPM | ||
| Sara Pind Jagata | Avtar Chamak, Biba Harjot | D♭ Major | 8 | 3B | 120 BPM | ||
| Jhande | Ricky Mann | B♭ Minor | 8 | 3A | 188 BPM | ||
| Ik Hoor Majajan | Satwinder Bugga | G Minor | 7 | 6A | 96 BPM | ||
| Pyar Dikha Ke Lut Le Jindgi | Ashok Meena | F♯ Major | 9 | 2B | 176 BPM | ||
| Ashiq Tere Te | Sudesh Kumari, Veer Davinder | A Minor | 9 | 8A | 139 BPM | ||
| Shak Kariya Na Kar | Anmol Virk | F♯ Major | 10 | 2B | 146 BPM | ||
| Shounk De Gehre | Bai Amarjit | D♭ Major | 10 | 3B | 96 BPM | ||
| Pathiya Kidhar Nu Javan | Didar Sandhu, Snehlata | G Major | 3 | 9B | 131 BPM | ||
| Berha Paar Kar Lai | Jaswant Chamak | A♭ Major | 10 | 4B | 100 BPM | ||
| Mukhda | Jazz Malli | F Minor | 10 | 4A | 83 BPM | ||
| Dhol Nagare | Surjit Bindrakhia | C Major | 9 | 8B | 90 BPM | ||
| Telephone Te Na Roiya Kar | Anmol Virk | G Major | 10 | 9B | 93 BPM | ||
| Ishqe Da Bhoot | Raja Sidhu, Rajwinder Kaur | F♯ Major | 9 | 2B | 82 BPM | ||
| Dhuna Pauna Haari Da | Hans Raj Hans | A♭ Major | 9 | 4B | 102 BPM | ||
| Mere Ghar Aa Baba | Jaswant Chamak | A♭ Major | 10 | 4B | 100 BPM | ||
| Nachna | Banny A | B Minor | 10 | 10A | 168 BPM | ||
| Zulfan | Rai Jujhar | G Major | 8 | 9B | 136 BPM | ||
| Mukadar | Veer Davinder | B Major | 7 | 1B | 90 BPM | ||
| Shad De Sarifi | Harjit Sidhu, Parveen Dardi | E Minor | 8 | 9A | 188 BPM | ||
| Honsley | Atma Singh, Aman Rozi | G Major | 10 | 9B | 100 BPM | ||
| Akh Naal Akh | Lovely Nirman | F♯ Major | 7 | 2B | 79 BPM | ||
| Hai Canada | Rai Jujhar | G Major | 8 | 9B | 102 BPM |