PSY・S[saiz]'s ' "STAMP" was released on its scheduled release date, 1989. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. STAMP's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in ATLAS by PSY・S[saiz]. Based on our statistics, STAMP's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of STAMP by PSY・S[saiz] is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| クロニック・ラヴ | Miki Nakatani | A♭ Major | 8 | 4B | 124 BPM | ||
| 地図をください | Mimori Yusa | G Major | 7 | 9B | 102 BPM | ||
| 格好悪いふられ方 | Senri Oe | A♭ Major | 9 | 4B | 132 BPM | ||
| 「MAY」 | Yuki Saito | D Major | 5 | 10B | 97 BPM | ||
| GO AWAY BOY | PRINCESS PRINCESS | F♯ Major | 9 | 2B | 146 BPM | ||
| CALL MY LUCK | Mari Hamada | D Major | 10 | 10B | 170 BPM | ||
| 愛よ ファラウェイ | Rie Fujiwara | A♭ Minor | 7 | 1A | 157 BPM | ||
| 悲しいね (Remix Version) | Misato Watanabe | C Minor | 8 | 5A | 110 BPM | ||
| セシールの雨傘 (Single Version) | Mari Iijima | E Minor | 9 | 9A | 120 BPM | ||
| ベステン ダンク | Hiroshi Takano | A Major | 9 | 11B | 128 BPM | ||
| キスは少年を浪費する | 東京パフォーマンスドール (1990~1994) | C Major | 9 | 8B | 140 BPM | ||
| discovery (Original Mix) | Takashi Utsunomiya | D Major | 8 | 10B | 110 BPM | ||
| ごめんなさい | BARBEE BOYS | C Major | 10 | 8B | 82 BPM | ||
| Hold Me ! | Babe | E Major | 9 | 12B | 151 BPM | ||
| Loop na Kimochi | Tohko | E Minor | 9 | 9A | 106 BPM | ||
| YOU GET TO BURNING | 松澤由美 | A♭ Minor | 7 | 1A | 92 BPM | ||
| 青空がいっぱい | PSY・S[saiz] | B♭ Major | 6 | 6B | 97 BPM | ||
| 心のPhotograph | 国安わたる | E Minor | 7 | 9A | 120 BPM | ||
| CANDY | Ruriko Kuboh | A Major | 9 | 11B | 128 BPM | ||
| リリス | Kumiko Yamashita | G Major | 8 | 9B | 131 BPM | ||
| きみに会えて | Misato Watanabe | E♭ Major | 3 | 5B | 138 BPM | ||
| 赤道小町ドキッ | Kumiko Yamashita | A♭ Major | 9 | 4B | 145 BPM | ||
| Give Me Up | Babe | G Major | 7 | 9B | 126 BPM | ||
| そして僕は途方に暮れる | Yoshiyuki Osawa | C Major | 8 | 8B | 120 BPM | ||
| Return to Myself | Mari Hamada | F♯ Major | 9 | 2B | 168 BPM |