"teal" by 林正樹 had its release date on 2015. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "PENDULUM". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. teal is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With teal by 林正樹 having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le rose di Danzica - 7 | Luis Bacalov | B♭ Minor | 0 | 3A | 135 BPM | ||
| Alone at the Lakeside | Mia Brentano, Benyamin Nuss, Billy Test | D Major | 0 | 10B | 81 BPM | ||
| Reason to Stop | Kokoro Shimizu | F Minor | 0 | 4A | 74 BPM | ||
| たろとアキコ 2 | 金子 隆博 | D Minor | 1 | 7A | 80 BPM | ||
| カップルのためのワルツ (組曲『欲望の茶色い塊』より) | Umitaro Abe | C Major | 1 | 8B | 106 BPM | ||
| さまよいの先に | Nobuyuki Nakajima | G Major | 1 | 9B | 124 BPM | ||
| 都市霧のなかで | 碧木莉歩 | E Major | 3 | 12B | 149 BPM | ||
| Serenade Rag | Greenschist | B Major | 0 | 1B | 174 BPM | ||
| daisy chain | Goro Ito | B♭ Major | 2 | 6B | 104 BPM | ||
| Since | Henning Schmiedt | E Major | 0 | 12B | 115 BPM | ||
| Dreaming In Van Gogh Colors | Jim Pearce | E Minor | 3 | 9A | 131 BPM | ||
| Slow Motion | Irene Scardia | A♭ Major | 2 | 4B | 188 BPM | ||
| Serendipity | 林正樹 | G Major | 0 | 9B | 95 BPM | ||
| Beaches | Goro Ito | C Major | 1 | 8B | 78 BPM | ||
| Lost at Sea | Lofitopía | F Minor | 0 | 4A | 74 BPM | ||
| Possibility | Beautiful Chords | F Major | 1 | 7B | 212 BPM | ||
| Cum Chrono Pacem Fac | Ulrike Haage, Eric Schaefer | D Minor | 0 | 7A | 76 BPM | ||
| Ripple | David Tarrodi | E♭ Major | 1 | 5B | 136 BPM | ||
| Iambic 9 Poetry | Seigen Tokuzawa, Masaki Hayashi | D Major | 0 | 10B | 143 BPM | ||
| Recollection | Tobias Wilden, Yudai Suzuki | E♭ Major | 3 | 5B | 131 BPM | ||
| bojo | Saho Terao | G Major | 0 | 9B | 139 BPM | ||
| Shush | Johanna Summer | C Major | 0 | 8B | 129 BPM | ||
| Waking Up | Mavelhy | F Minor | 0 | 4A | 74 BPM | ||
| 雨明かり | 森ゆに, 田辺玄 | E Major | 1 | 12B | 101 BPM | ||
| Caminho Triste | Bernad Lefebrev | F Minor | 0 | 4A | 74 BPM |