- BPM
- 71
- Key
- F Major
- Camelot
- 7B
Dolly, Op.56: 2. Mi-A-Ou by Gabriel Fauré, Katia Labèque, Marielle Labèque Song Details
Gabriel Fauré, Katia Labèque, Marielle Labèque's 'Dolly, Op.56: 2. Mi-A-Ou' had a release date set for January 1, 2015. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Dolly, Op.56: 2. Mi-A-Ou's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Fauré: Dolly Suite; Nocturnes; Barcarolles; Impromptus by Gabriel Fauré, Katia Labèque, Marielle Labèque, Pascal Rogé. Dolly, Op.56: 2. Mi-A-Ou is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Dolly, Op.56: 2. Mi-A-Ou by Gabriel Fauré, Katia Labèque, Marielle Labèque is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 15%
- Loudness
- -25.145 dB
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 7%
- Instrumentalness
- 93%
- Liveness
- 7%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 24%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach / Busoni: Toccatas and Fugues, BV B29: No. 1, Toccata and Fugue in C Major: Adagio (After Bach's BWV 564) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | D Minor | 1 | 7A | 65 BPM | |
 | Lieder ohne Worte, Book 6, Op. 67: Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 31 in E-Flat Major, Op. 67, No. 1 | Felix Mendelssohn, Péter Nagy | B♭ Major | 0 | 6B | 110 BPM | |
 | Davidsbündlertänze, Op. 6: No. 18, Nicht schnell | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | |
 | Etudes-Tableaux, Op. 33, No. 4 in D Minor | Hélène Grimaud | D Minor | 2 | 7A | 94 BPM | |
 | Martha Tango - Duo-Art 7207 | Michael Khariton, Peter Phillips | G Major | 1 | 9B | 71 BPM | |
 | Liebeslied, S. 566 "Widmung" (After R. Schumann) | Franz Liszt, William Howard | A♭ Major | 0 | 4B | 70 BPM | |
 | Concerto for 2 Pianos, FP. 61: III. Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic, Artur Gold, Robert Fizdale | A Minor | 3 | 8A | 100 BPM | |
 | 24 Morceaux caractéristiques, Op. 36 (Excerpts): No. 3, Nocturne | Anton Arensky, Swetlana Meermann-Muret | F♯ Major | 1 | 2B | 86 BPM | |
 | Images: Prelude 5 | Howard Skempton, Marielle Labèque | B♭ Minor | 0 | 3A | 72 BPM | |
 | 2 Musical Sketches, "2 Klavierstucke": Andante cantabile in B-Flat Major | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 111 BPM | |
 | Années de pèlerinage, Première année (Suisse), S. 160: No. 5, Au bord d'une source | Franz Liszt, Vladimir Horowitz | A♭ Major | 1 | 4B | 71 BPM | |
 | 8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | |
 | Rachmaninov: 8 Études-tableaux, Op. 33: No. 2 in C Major | Sergei Rachmaninoff, Hélène Grimaud | F Major | 0 | 7B | 73 BPM | |
| Images: Postlude | Howard Skempton, Marielle Labèque | F♯ Minor | 0 | 11A | 133 BPM | |
 | Prélude, Op. 57 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 0 | 3B | 88 BPM | |
 | Symphony No. 2 in A Minor, Op. 55: II. Adagio | Camille Saint-Saëns, Orchestre de la Suisse Romande, Marek Janowski | E Minor | 1 | 9A | 135 BPM | |
 | Saint-Saëns: 6 Études, Op. 111: No. 1, Tierces majeures et mineures | Camille Saint-Saëns, Bertrand Chamayou | A♭ Minor | 1 | 1A | 104 BPM | |
 | Piano Sonata in C Minor: I. Allegro moderato e con espressione | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM | |
 | Eight Concert Etudes, Op. 40: VII. Intermezzo: Allegretto | Nikolai Kapustin, Yeol Eum Son | E♭ Minor | 2 | 2A | 108 BPM | |
 | Fauré: Sicilienne, Op. 78 | Music Lab Collective, Gabriel Fauré | G Minor | 1 | 6A | 81 BPM | |
 | Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato | Lowell Liebermann, Stephen Hough | A♭ Major | 0 | 4B | 99 BPM | |
 | Lyrical Pieces, Op. 12: No. 2, Waltz | Edvard Grieg, Denis Kozhukhin | A Minor | 0 | 8A | 177 BPM | |
 | Birds Leaving the Earth | Mia Brentano, Benyamin Nuss, Billy Test | G Major | 4 | 9B | 111 BPM | |
 | 組曲「ドリー」 Op.56: III. ドリーの庭 | Gabriel Fauré, 原博巳, 大石将紀, 貝沼拓実, 伊藤富美恵 | E♭ Major | 0 | 5B | 68 BPM | |
 | Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records