"Chaplin / Arr. Quint & Coleman: Modern Times: Smile" by Charlie Chaplin, Renaud Capuçon had its release date on November 12, 2021. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Un violon à Paris". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Chaplin / Arr. Quint & Coleman: Modern Times: Smile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chaplin / Arr. Quint & Coleman: Modern Times: Smile by Charlie Chaplin, Renaud Capuçon having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adoration | Florence Beatrice Price, Philippe Quint, Andrew Litton | G Major | 1 | 9B | 111 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| Desplat: Girl with a Pearl Earring | Alexandre Desplat, Emmanuel Pahud, Orchestre National De France | D Minor | 2 | 7A | 81 BPM | ||
| On Wings of Song, Op. 34 No. 2 (Arr. Parkin for Violin and Chamber Ensemble) | Felix Mendelssohn, Christian Li, Melbourne Symphony Orchestra | F Major | 1 | 7B | 142 BPM | ||
| On Wings of Song, Op. 34 No. 2 | Felix Mendelssohn, Haruma Sato, 久末 航 | A Minor | 0 | 8A | 86 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| Adornment | Ramon Kündig | D♭ Minor | 1 | 12A | 75 BPM | ||
| Nocturne opus posthume en do dièse mineur | Louise-Andrée Baril | D♭ Minor | 0 | 12A | 86 BPM | ||
| Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | ||
| Kreisler: Prelude and allegro in the style of Pugnani | Fritz Kreisler, Renaud Capuçon | E Minor | 3 | 9A | 96 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
| Nocturnes, Op. 9, No. 2 in E-Flat Major | Frédéric Chopin, Olga Scheps | D♭ Minor | 0 | 12A | 65 BPM | ||
| Limelight | Charlie Chaplin, Thomas Beckmann | F Major | 1 | 7B | 69 BPM | ||
| 7 Canciones populares Españolas: No. 5, Nana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 170 BPM | ||
| Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 86 BPM | ||
| Barrios Mangoré: La catedral: I. Preludio saudade | Agustín Barrios Mangoré, Thibaut García | B Minor | 0 | 10A | 107 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Renaud Capuçon, Orchestre de Chambre de Lausanne | E♭ Major | 1 | 5B | 94 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: III. Andante | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E♭ Major | 0 | 5B | 87 BPM | ||
| Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
| Barber: Violin Concerto, Op. 14: I. Allegro | Samuel Barber, Renaud Capuçon, Orchestre de la Suisse Romande, Daniel Harding | A Minor | 4 | 8A | 90 BPM | ||
| Tango Natasha | Charlie Chaplin, Philippe Quint | C Minor | 2 | 5A | 119 BPM | ||
| Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM |