Doug Stanhope's ' "Live Life" was released on its scheduled release date, 2000. For a fairly short song, this song is "Live Life" is considered an explicit song with a duration of 1:04. There are a total of 21 in the song's album "Something To Take The Edge Off". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Live Life is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Live Life by Doug Stanhope having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sanitized Generation | Doug Stanhope | B♭ Minor | 7 | 3A | 82 BPM | ||
| Detroit Rock City | Kyle Kinane | F Major | 9 | 7B | 93 BPM | ||
| Shooting the Shit / Too Soon? | David Cross | D♭ Minor | 5 | 12A | 94 BPM | ||
| The Hotel is Half Full | Steve Hofstetter | G Minor | 5 | 6A | 70 BPM | ||
| Bears | Andrew Schulz | A Major | 7 | 11B | 115 BPM | ||
| Zero to Cunt | Joe DeRosa | A Major | 9 | 11B | 73 BPM | ||
| Holocaust Museum of Modern Art | Anthony Jeselnik | B♭ Minor | 7 | 3A | 80 BPM | ||
| Rock, Paper, Scissors, Jesus | Chad Daniels | A♭ Major | 8 | 4B | 101 BPM | ||
| You Ruined the Man Show | Doug Stanhope | G Minor | 7 | 6A | 82 BPM | ||
| Racist Parrot | Josh Johnson | B Minor | 6 | 10A | 85 BPM | ||
| Intro | Bert Kreischer | A♭ Minor | 7 | 1A | 83 BPM | ||
| Breastfeeding | Al Madrigal | D Major | 9 | 10B | 89 BPM | ||
| Dog Heaven | Dana Gould | A Major | 5 | 11B | 100 BPM | ||
| Newark | Artie Lange | D♭ Major | 10 | 3B | 81 BPM | ||
| Don't Talk to Strangers | Doug Stanhope | F♯ Major | 7 | 2B | 77 BPM | ||
| Back to the Future, Groundhog Day, And Hitler | Myq Kaplan | A Major | 9 | 11B | 95 BPM | ||
| Moth Balls and Disappointment | Adam Ferrara | A♭ Major | 8 | 4B | 130 BPM | ||
| The Gifted Child | Patton Oswalt | E♭ Major | 8 | 5B | 55 BPM | ||
| Sacrifice | Andrew Schulz | E♭ Minor | 8 | 2A | 76 BPM | ||
| My Very Extra Special Trump Fantasy | David Cross | B♭ Major | 5 | 6B | 105 BPM | ||
| I Can Do Nothing Better Than You | Doug Stanhope | A♭ Major | 8 | 4B | 114 BPM | ||
| The Parking Ticket | Patton Oswalt | F Minor | 6 | 4A | 117 BPM | ||
| Montana and the Flea Market | Josh Sneed | A♭ Major | 6 | 4B | 92 BPM | ||
| The Uninformed! | Paul F. Tompkins | C Major | 4 | 8B | 144 BPM | ||
| Wake-up Call | Tommy Campbell | F♯ Major | 4 | 2B | 130 BPM |