Disillusion's 'The Hole We Are In' had a release date set for October 20, 2006. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Disillusion's "Gloria" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Hole We Are In's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Hole We Are In by Disillusion to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bystander | Klone | D Minor | 8 | 7A | 135 BPM | ||
| The Living Fortress | Barren Earth | F Major | 9 | 7B | 93 BPM | ||
| Kinship Elegiac | IOTUNN | G Major | 10 | 9B | 95 BPM | ||
| Sea of Reeds | The Ocean | G Major | 5 | 9B | 178 BPM | ||
| The Gutted Stag | Dyssidia | D♭ Minor | 9 | 12A | 170 BPM | ||
| False Start | OSI | F Minor | 6 | 4A | 120 BPM | ||
| Afflux | The Circle | A Minor | 8 | 8A | 89 BPM | ||
| Winter's Gate, Pt. 2 | Insomnium | G Major | 10 | 9B | 195 BPM | ||
| Swan Season | Deadly Carnage | G Major | 10 | 9B | 150 BPM | ||
| Through the Wall of Light Pt. I | Eternal Storm | E Minor | 9 | 9A | 120 BPM | ||
| Too Many Broken Cease Fires | Disillusion | F Minor | 9 | 4A | 129 BPM | ||
| Origin | In Vain | E Minor | 9 | 9A | 116 BPM | ||
| From a Hadron Machinist | Alkaloid | B♭ Minor | 10 | 3A | 115 BPM | ||
| Twilight | IOTUNN | E Minor | 10 | 9A | 82 BPM | ||
| All the Pieces | In the Silence | F♯ Minor | 7 | 11A | 142 BPM | ||
| The Faintest Echo (Ash Memory Part IV) | Wilderun | B♭ Major | 8 | 6B | 99 BPM | ||
| Resident Human | Wheel | C Minor | 8 | 5A | 130 BPM | ||
| Blood in the furrows | In Mourning | G Minor | 8 | 6A | 137 BPM | ||
| Hiding | Dawn Of Solace | D Major | 8 | 10B | 158 BPM | ||
| Under Polaris | Charlie Griffiths | C Major | 8 | 8B | 100 BPM | ||
| Anti-Life Saviour | Shade Empire | E Minor | 9 | 9A | 97 BPM | ||
| Applause Of A Distant Crowd | VOLA | D♭ Major | 7 | 3B | 115 BPM | ||
| Forsaken | Obscura | D Minor | 10 | 7A | 113 BPM | ||
| Peel | Redemption | A Minor | 9 | 8A | 95 BPM | ||
| Antibiosis | Words Of Farewell | A♭ Minor | 9 | 1A | 72 BPM |