Miguel Fleta's ' "La Marsellesa" was released on its scheduled release date, February 17, 2015. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. La Marsellesa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Romanzas y Canciones". In this album, this song's track order is #5. In terms of popularity, La Marsellesa is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Marsellesa by Miguel Fleta having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scalerica de Oro - Remastered | Sofía Nöel | C Major | 2 | 8B | 72 BPM | ||
| Santa Lucia | Theodoro Cottrau, Enrico Caruso, Bianculli, Walter B. Rogers | G Minor | 4 | 6A | 90 BPM | ||
| Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
| Rigoletto, Act II: Figlia!...Mio padre! | Giuseppe Verdi, Ettore Bastianini, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Minor | 1 | 12A | 128 BPM | ||
| Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Santa Lucia | Traditional, Enrico Caruso, Vienna Radio Symphony Orchestra, Gottfried Rabl | E♭ Major | 2 | 5B | 93 BPM | ||
| L'Africaine: Pays merveilleux…O Paradis (Recorded 1927) | Giacomo Meyerbeer, Miguel Fleta | D♭ Major | 1 | 3B | 68 BPM | ||
| Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | ||
| Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Qué Importa Que Madrid Sea / La Emoción Que Hay en la Jota | Jesús Gracia | G Major | 2 | 9B | 174 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
| Péchés de vieillesse, Vol. 2 "Album français": No. 4, Complainte à 2 voix "Un sou" | Gioachino Rossini, Alessandro Luciano, Vittorio Prato, Alessandro Marangoni | C Major | 3 | 8B | 81 BPM | ||
| Tosca: Act III - "E lucevan le stelle" (Cavaradossi) | Orquesta Sinfónica del Gramófono, Maestro Gelabert, Miguel Fleta | A♭ Major | 3 | 4B | 74 BPM | ||
| Es el Más Lindo Querer / La Mejana (feat. Miguel Cenoz, Rondalla Lizaga-Domingo) | Raimundo Lanas, Miguel Cenoz, Rondalla Lizaga-Domingo | C Major | 2 | 8B | 84 BPM | ||
| Carmen: Act I - "Parle-moi de ma mère" (José, Micaela) | Victor Symphony Orchestra, Rosario Bourdon, Miguel Fleta, Lucrezia Bori | A♭ Major | 1 | 4B | 72 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| No Tires Piedras Cobarde / En Todo el Río Martín - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 89 BPM | ||
| La Gioconda: Cielo e mar | Amilcare Ponchielli, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| Romeo and Juliette, Act II: L'amour! l'amour | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | B♭ Major | 1 | 6B | 84 BPM | ||
| La Bruja: "suspiros de Mi Garganta" | Ruperto Chapí, Miguel Fleta | D Major | 4 | 10B | 109 BPM |