Mike Compton, David Long's 'Standing On Jesus' had a release date set for March 7, 2006. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Standing On Jesus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stomp". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Standing On Jesus's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Standing On Jesus by Mike Compton, David Long having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bear Tracks | J.D. Crowe | F♯ Major | 3 | 2B | 116 BPM | ||
| Tall Pines | Laurie Lewis | D Major | 6 | 10B | 127 BPM | ||
| Getting Over You | Blue Highway | C Major | 7 | 8B | 148 BPM | ||
| Hendersonville Hop | Bronwyn Keith-Hynes | C Major | 5 | 8B | 108 BPM | ||
| Charleston #2 | Mike Compton | C Major | 4 | 8B | 143 BPM | ||
| Cutting The Chords | The Rice Menzone Alliance | D Major | 7 | 10B | 141 BPM | ||
| Moonlight Harvest | On The Trail | D Major | 1 | 10B | 181 BPM | ||
| Waynesboro/Wolf Creek | Lonesome Ace Stringband | D Major | 4 | 10B | 124 BPM | ||
| Finn's Rescue | The Foreign Landers | G Major | 4 | 9B | 119 BPM | ||
| Sweet Milk and Peaches | Mike Compton | D Major | 5 | 10B | 108 BPM | ||
| Eastcoast Earthquake | T M Hanna | G Major | 1 | 9B | 88 BPM | ||
| Rotten Taters | Mike Compton | G Major | 8 | 9B | 120 BPM | ||
| Back Up And Push | Kenny Baker | C Major | 5 | 8B | 147 BPM | ||
| Fiddle Tune Medley: Big Sciota / Acorn Hill / Anna Livia | Scott Nygaard | G Major | 6 | 9B | 133 BPM | ||
| Charleston #1 | Mike Compton | C Major | 6 | 8B | 91 BPM | ||
| Deeplow Gap | John Balch with Jack Pearson | D Minor | 3 | 7A | 96 BPM | ||
| Kismet | Becky Buller | A Major | 3 | 11B | 168 BPM | ||
| Livin' On The Edge | Alan Laney | D Major | 6 | 10B | 104 BPM | ||
| Hand of The Highest Power | Alan Laney | G Major | 4 | 9B | 132 BPM | ||
| Poppyseed | Andrew Marlin | F Major | 4 | 7B | 111 BPM | ||
| Eagle Eye Annie | Kristin Scott Benson | D Major | 8 | 10B | 110 BPM | ||
| Cascadia | John Reischman, Chris Eldridge, Todd Phillips, Trent Freeman | G Major | 3 | 9B | 190 BPM | ||
| Little Star | Mike Compton | G Major | 4 | 9B | 129 BPM | ||
| First Snow | Andy Thorn | B♭ Major | 3 | 6B | 129 BPM | ||
| Leland's Waltz | Foghorn Stringband | A Major | 3 | 11B | 111 BPM |