"choral no.2" by Ryuichi Sakamoto had its release date on February 24, 1999. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. choral no.2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in BTTB by Ryuichi Sakamoto, Ryuichi Sakamoto, Ryuichi Sakamoto, Ryuichi Sakamoto, Ryuichi Sakamoto, Ryuichi Sakamoto, Ryuichi Sakamoto, Ryuichi Sakamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. choral no.2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of choral no.2 by Ryuichi Sakamoto is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Living Sketch | Haruomi Hosono | B Minor | 3 | 10A | 160 BPM | ||
| Superhuman | Kelly Moran | B♭ Minor | 3 | 3A | 69 BPM | ||
| Kujira No Niwa | 角銅真実 | C Major | 5 | 8B | 168 BPM | ||
| Ryuichi Sakamoto: Tamago 2004 | Helena Basilova | F Major | 0 | 7B | 73 BPM | ||
| Happy Times | Jay Maddiz | A Major | 0 | 11B | 171 BPM | ||
| Un final sans fin II - 永遠に終わらないフィナーレ II | Umitaro Abe, BUN Imai | A Major | 0 | 11B | 70 BPM | ||
| The Flat - From “Varmints” Soundtrack | Jóhann Jóhannsson | C Major | 3 | 8B | 171 BPM | ||
| Reverie | Umitaro Abe | A Minor | 0 | 8A | 54 BPM | ||
| Menuet sur le nom d'Haydn, M. 58 | Maurice Ravel, Vlado Perlemuter | G Major | 0 | 9B | 93 BPM | ||
| シリウスに想う- Thoughts on Sirius | 磯田健一郎 | C Minor | 1 | 5A | 136 BPM | ||
| Her Face | Harold Budd | E Minor | 0 | 9A | 67 BPM | ||
| CLOUD | Lia Ouyang Rusli | D Minor | 1 | 7A | 174 BPM | ||
| day to die | 岩井俊二 | E Minor | 1 | 9A | 104 BPM | ||
| 潮風 | Yumiko Morioka | C Major | 0 | 8B | 76 BPM | ||
| Pause ininterrompue (Uninterrupted Rests): III. A song of love | Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
| 潘心彤 Believed | Cicada | F Major | 0 | 7B | 76 BPM | ||
| Hollow | Bass Lover | N/A | N/A | N/A | 0 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich | D Major | 6 | 10B | 105 BPM | ||
| Imply | Hi'Spec | E♭ Major | 4 | 5B | 75 BPM | ||
| Pulse Pause Repeat | Harold Budd, Ruben Garcia, Daniel Lentz | E Major | 0 | 12B | 66 BPM | ||
| Scattered | Alex Heffes, Ryuichi Sakamoto | D Minor | 1 | 7A | 115 BPM | ||
| Acceptance (「リトル・ブッダ」より) | Brussels Philharmonic | E♭ Minor | 2 | 2A | 79 BPM | ||
| (((shiki-soku-ze-kuu))) | Tempalay | D Major | 9 | 10B | 95 BPM | ||
| nothing | Louis Cole, Metropole Orkest, Jules Buckley | E Major | 1 | 12B | 80 BPM | ||
| ubi | Ryuichi Sakamoto | B Minor | 1 | 10A | 66 BPM |