"Pop Quiz Everybody / Jim's Pathetic Call from Motel" by Rolfe Kent had its release date on February 17, 2023. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 30 in Election (Music from the Motion Picture) by Rolfe Kent. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Pop Quiz Everybody / Jim's Pathetic Call from Motel is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Pop Quiz Everybody / Jim's Pathetic Call from Motel by Rolfe Kent is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Catch | Christopher Young | A♭ Minor | 1 | 1A | 123 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| Mike Realises | Rolfe Kent | E♭ Major | 3 | 5B | 92 BPM | ||
| Breaking In (Searching The Factory) | Daniel Pemberton | D Major | 8 | 10B | 118 BPM | ||
| Simulation | Clint Eastwood, Christian Jacob, The Tierney Sutton Band | F Major | 2 | 7B | 86 BPM | ||
| Ruben's In | David Holmes | D♭ Major | 5 | 3B | 115 BPM | ||
| Score Suite 1 - From "Retrospective: The Music Of Mad Men" Soundtrack | David Carbonara | D Minor | 3 | 7A | 140 BPM | ||
| Asphalt Groovin' | Rolfe Kent | A♭ Major | 4 | 4B | 80 BPM | ||
| Temptation Sensation (Main Title) | Heinz Kiessling | A Major | 5 | 11B | 96 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Theme From "The Nice Guys" | John Ottman, David Buckley | B Minor | 6 | 10A | 120 BPM | ||
| New Beginning, Pt. 3 | Andrew Hale, Simon Hale | G Minor | 1 | 6A | 145 BPM | ||
| Safe House | Alberto Iglesias | D Major | 1 | 10B | 131 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Graduation | Rupert Gregson-Williams | C Major | 4 | 8B | 128 BPM | ||
| Racing | Rolfe Kent | C Major | 5 | 8B | 82 BPM | ||
| Pink Deville | Paul Rothman | C Major | 2 | 8B | 83 BPM | ||
| Blues For Harry (Combo) | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Drive | Burkhard Dallwitz | A♭ Major | 3 | 4B | 107 BPM | ||
| Planting the Seed | David Holmes | B♭ Minor | 6 | 3A | 108 BPM | ||
| Finale and Curtain Call | Joe Kraemer | G Minor | 2 | 6A | 123 BPM | ||
| Gray Matter | Dave Porter | F Minor | 0 | 4A | 76 BPM | ||
| This Is Not a Drill | Henry Jackman | D Major | 4 | 10B | 100 BPM | ||
| The Morning After | Dave Porter | F♯ Major | 2 | 2B | 79 BPM | ||
| End Titles - Flags Of Our Fathers | Lennie Niehaus | C Major | 0 | 8B | 102 BPM |