"Come as You Are" by The Many had its release date on November 15, 2019. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Many's "Love > Fear" album is number 5 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Come as You Are's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Come as You Are by The Many to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Labor All Creation Groans | Bifrost Arts | B Minor | 1 | 10A | 115 BPM | ||
| Ocean in Between | Melisa Grays | E♭ Major | 5 | 5B | 80 BPM | ||
| You Hear Me | Caleb Peavy | A♭ Major | 1 | 4B | 82 BPM | ||
| Garden Will Bloom | Good Shepherd Collective, Diana Gameros | B♭ Major | 1 | 6B | 84 BPM | ||
| Clean Threshold | Rosa Chillings | E♭ Major | 5 | 5B | 80 BPM | ||
| Psalm 90:12-14 | Verses, Anabeth Morgan | F♯ Minor | 4 | 11A | 126 BPM | ||
| What A Savior (Psalm 65) | Melanie Waldman, Waterdeep | B♭ Major | 3 | 6B | 79 BPM | ||
| Lovely Needy People | The Many | B♭ Major | 3 | 6B | 70 BPM | ||
| A Little Longer | Rosa Chillings | E♭ Major | 5 | 5B | 80 BPM | ||
| Paper Hearts | Grey Circles | A♭ Major | 1 | 4B | 72 BPM | ||
| A Room Without Corners | Alurea | D Minor | 2 | 7A | 116 BPM | ||
| On The Day We Are Together Again | Humbird | A Major | 2 | 11B | 150 BPM | ||
| Let All Mortal Flesh Keep Silence | Aly Aleigha | G Minor | 3 | 6A | 152 BPM | ||
| Psalm 121 | All Sons & Daughters | E♭ Major | 4 | 5B | 140 BPM | ||
| Hollow Prayers | Rossbelai | G Minor | 1 | 6A | 83 BPM | ||
| Harvesting Silence from Meteors | Eloween | C Major | 0 | 8B | 79 BPM | ||
| Restore | Natalie Layne | F Major | 2 | 7B | 139 BPM | ||
| Threads of the Mother Tongue | MONTANA MELLO | D♭ Major | 2 | 3B | 127 BPM | ||
| Silence After Finale | Mariee Labouls | E♭ Major | 5 | 5B | 80 BPM | ||
| Settled Into Place | Oh Sparrow | C Major | 3 | 8B | 80 BPM | ||
| Louise | Paige Hargrove | C Major | 2 | 8B | 107 BPM | ||
| Death, You Terrible Thing | Caroline Cobb | E♭ Major | 5 | 5B | 151 BPM | ||
| The Mercies of Christ | Matt Searles, McKenzie Fuller | B Minor | 2 | 10A | 84 BPM | ||
| Paperweights | Auris Serranot | E♭ Major | 5 | 5B | 80 BPM | ||
| Follow | Rosemary Skaggs, Luke Skaggs, Cageless Birds | G Major | 3 | 9B | 114 BPM |