On March 6, 2005, the song "Dead End" was released by The Whitest Boy Alive. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Rules". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, Dead End's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dead End by The Whitest Boy Alive having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Night With the Prostitute from Marseille | Beirut | D Major | 6 | 10B | 130 BPM | ||
| Golden Skans | Klaxons | D Minor | 8 | 7A | 142 BPM | ||
| Feel The Love | Cut Copy | A Minor | 8 | 8A | 126 BPM | ||
| Waiting on Words | The Black Keys | A Major | 6 | 11B | 152 BPM | ||
| Default | Django Django | E Major | 5 | 12B | 168 BPM | ||
| Turn Blue | The Black Keys | F♯ Minor | 5 | 11A | 94 BPM | ||
| Boy From The Sun | Niva | E Minor | 6 | 9A | 125 BPM | ||
| No Matter What You're Told | Broken Bells | G Major | 8 | 9B | 125 BPM | ||
| Für Hildegard von Bingen | Devendra Banhart | B Minor | 4 | 10A | 95 BPM | ||
| I Turn My Camera On | Spoon | B♭ Major | 5 | 6B | 100 BPM | ||
| Ancient Water | Future Islands | B♭ Major | 7 | 6B | 130 BPM | ||
| The Sound | Technicolor Fabrics | B Major | 9 | 1B | 140 BPM | ||
| Impressions of You | The Virgins | A Major | 6 | 11B | 105 BPM | ||
| This Is the End | Nickel Eye | A♭ Major | 7 | 4B | 118 BPM | ||
| Peng Pong | Erlend Øye | A♭ Major | 4 | 4B | 172 BPM | ||
| Early Morning | Isaac Delusion | C Major | 8 | 8B | 103 BPM | ||
| The Heat | Jungle | F Minor | 9 | 4A | 110 BPM | ||
| As Above So Below | Klaxons | E Minor | 8 | 9A | 123 BPM | ||
| She's Expensive | The Virgins | C Major | 8 | 8B | 115 BPM | ||
| Junk Of The Heart (Happy) | The Kooks | D Major | 9 | 10B | 145 BPM | ||
| Port Of Morrow | The Shins, James Mercer | C Major | 6 | 8B | 121 BPM | ||
| Nevermind | Foster The People | F♯ Minor | 8 | 11A | 85 BPM | ||
| Inside Out | Spoon | C Major | 6 | 8B | 176 BPM | ||
| Morning | Balthazar | B Major | 6 | 1B | 136 BPM | ||
| Where I'm Going | Cut Copy | A♭ Major | 9 | 4B | 121 BPM |