"From Here to Where" by O Yuki Conjugate had its release date on 1984. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. From Here to Where's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Scene in Mirage". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. From Here to Where is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From Here to Where by O Yuki Conjugate having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Non Qui Ora | Thelma | F♯ Major | 0 | 2B | 71 BPM | ||
| Tortoise And Hare | Suso Saiz, Suzanne Kraft | G Minor | 0 | 6A | 74 BPM | ||
| Chapter X Where the Echo Ends | GODIEAM | D♭ Major | 0 | 3B | 136 BPM | ||
| Beyond Control 3 | O Yuki Conjugate | D♭ Minor | 5 | 12A | 129 BPM | ||
| What It's Like to Be a Bat 12 | Finn Streuper | F♯ Major | 0 | 2B | 71 BPM | ||
| Introspective | Hollow Horses | G Major | 3 | 9B | 80 BPM | ||
| Left Hand Society | Philipp Otterbach | C Major | 1 | 8B | 75 BPM | ||
| Cosmos, My Dear | E Ruscha V | F Minor | 3 | 4A | 107 BPM | ||
| The Phonic Chasm (feat. Dawn Seago) (Excerpt) | K. Leimer | F♯ Minor | 3 | 11A | 69 BPM | ||
| Falling Water Lullaby | Ulla | G Major | 0 | 9B | 136 BPM | ||
| Waiteri | O Yuki Conjugate | C Major | 4 | 8B | 116 BPM | ||
| Meditative Moonlight | Bradley Korn | A Major | 0 | 11B | 72 BPM | ||
| Forget Space Nor Time | Jason Kolàr | B Minor | 2 | 10A | 66 BPM | ||
| Deudorix | Gi Gi | C Major | 1 | 8B | 87 BPM | ||
| Memories | June11 | C Major | 1 | 8B | 90 BPM | ||
| Playing in the Water | Joanna Brouk | A Minor | 2 | 8A | 80 BPM | ||
| Strange Times | Jo-Pan | F♯ Major | 0 | 2B | 71 BPM | ||
| rem | Taylor Deupree | B♭ Minor | 1 | 3A | 110 BPM | ||
| Springtime in Croatia | Patricia Wolf | B♭ Minor | 7 | 3A | 126 BPM | ||
| KOU / 口 | LI YILEI | G Minor | 2 | 6A | 116 BPM | ||
| This Was Us | Grand River | F♯ Major | 0 | 2B | 83 BPM | ||
| Cold Stars | Open Yellow Circle, O Yuki Conjugate | E Major | 3 | 12B | 150 BPM | ||
| Upside Down | Gerifa | D Major | 6 | 10B | 112 BPM | ||
| Left Home | Open Yellow Circle, O Yuki Conjugate | E Minor | 4 | 9A | 93 BPM | ||
| Amorphous Absorption | Perila | G Major | 1 | 9B | 135 BPM |