Counter-Measures's ' "Behind the Scenes, Track 15" was released on its scheduled release date, 2013. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 95 in the song's album "Series 2 (Unabridged)". In this album, this song's track order is #88. Furthermore, we believe that the track originated from Germany. In terms of popularity, Behind the Scenes, Track 15 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Behind the Scenes, Track 15 by Counter-Measures having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spare Parts, Pt. 1, Track 2 | Doctor Who, Marc Platt, Peter Davison, Sarah Sutton | B Major | 1 | 1B | 130 BPM | ||
| Sound 15 | SweetSounds4You | A♭ Minor | 6 | 1A | 78 BPM | ||
| Taxi Hopper | Chris Barrie | F♯ Major | 1 | 2B | 126 BPM | ||
| Vibrations | Real Talk Shorts | A♭ Minor | 3 | 1A | 76 BPM | ||
| Subway (get off on the next stop) | Fresh Kitchen Beats | A♭ Major | 7 | 4B | 135 BPM | ||
| Track 29 - Threshold | Counter-Measures, Paul Finch, Matt Fitton, Ian Potter, Justin Richards, Simon Williams, Pamela Salem, Karen Gledhill, Hugh Ross | D Major | 6 | 10B | 106 BPM | ||
| 10 Questions | Real Talk Shorts | G Major | 5 | 9B | 75 BPM | ||
| HARMONY | Speed rail | A♭ Minor | 3 | 1A | 69 BPM | ||
| The Pelage Project, Track 9 | Counter-Measures | C Major | 3 | 8B | 78 BPM | ||
| Plan for Stanislav | Rabbi Yoel Ferber | G Major | 4 | 9B | 145 BPM | ||
| Creepy True Cemetery Horror Stories, Pt. 7 | Mr. Nightmare | B♭ Minor | 1 | 3A | 102 BPM | ||
| Grace | niromez | A♭ Minor | 6 | 1A | 78 BPM | ||
| Crazy Things | Real Talk Shorts | B♭ Minor | 1 | 3A | 130 BPM | ||
| The Realm of Riddles - Part 12 | The Three ??? | G Minor | 4 | 6A | 88 BPM | ||
| Why Do You Need to Sacrifice? | Matthew Rix | B♭ Minor | 6 | 3A | 69 BPM | ||
| Teil 17 - Folge 24: Die Erde hat ihn wieder | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Jürgen Thormann, Helmut Krauss, Edgar Ott, Georg Corten, Rolf Schult, Peter Matic, Heinz Petruo, Wolfgang Condrus, Manfred Rabbel, Rainer Clute, Horst Dähne | F Minor | 9 | 4A | 138 BPM | ||
| The Chimes of Midnight, Pt. 1, Track 2 | Doctor Who, Robert Shearman, Paul McGann, India Fisher | C Major | 4 | 8B | 91 BPM | ||
| To My Life | Dee peak | A Major | 4 | 11B | 120 BPM | ||
| Chapter 5.2 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Tape My Life Back Together Again (Live) | Mr Let's Paint | E Major | 10 | 12B | 120 BPM | ||
| Kapitel 06: Station der Vorzeit (Folge 27) | Jan Tenner | A♭ Major | 2 | 4B | 112 BPM | ||
| Pride was a riot and we are not | MK Zariel | B♭ Minor | 5 | 3A | 145 BPM | ||
| Verrat auf der Venus - Teil 14 | Mark Brandis | D♭ Major | 5 | 3B | 131 BPM | ||
| Sound of Healing | Momenee | F Minor | 1 | 4A | 78 BPM | ||
| "Mi Corazón Late con tu Nombre Solo" | WEBERS | D♭ Major | 2 | 3B | 114 BPM |