"Uncertain Futures" by Rob Kelly had its release date on September 27, 2024. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Uncertain Futures's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 7 in Celloscapes by Richard Harwood, Rob Kelly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Uncertain Futures's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Uncertain Futures by Rob Kelly is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zurich | Jóhann Jóhannsson, Echo Collective | E Minor | 2 | 9A | 130 BPM | ||
| Marazion (50.127932, -5.474548) | KEYNVOR, Sebastian Plano | C Major | 2 | 8B | 91 BPM | ||
| Sonata Fragment (Beethoven redesigned) | Carlos Cipa | E Minor | 0 | 9A | 67 BPM | ||
| The Wife | Jocelyn Pook | C Minor | 1 | 5A | 97 BPM | ||
| A Frosty Reception | Richard Harwood, Rob Kelly | C Minor | 3 | 5A | 83 BPM | ||
| Deux Pensées | Darker In Vine | B♭ Major | 1 | 6B | 90 BPM | ||
| DNA (Arr. Knoth for Piano Quintet) | Ludovico Einaudi, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Pause | Poppy Ackroyd | B♭ Minor | 0 | 3A | 139 BPM | ||
| Cello Concerto: II. Racing | Christopher Gunning, Royal Philharmonic Orchestra, Richard Harwood | B Minor | 5 | 10A | 120 BPM | ||
| Music for Weather Elements: Sunrise on a Clear Day | Ezio Bosso | G Major | 1 | 9B | 94 BPM | ||
| Silhouette in the Shadows | Joel Christian Goffin | F Major | 2 | 7B | 134 BPM | ||
| Variations On A Slavic Theme | Christopher Gunning, Richard Harwood | C Minor | 0 | 5A | 173 BPM | ||
| Migrants | Federico Albanese | A♭ Major | 1 | 4B | 128 BPM | ||
| Movement 1 - Pt. 1 - Instrumental | Erland Cooper, Scottish Ensemble | A Minor | 1 | 8A | 133 BPM | ||
| Hanover Birds | Poppy Ackroyd | B♭ Major | 3 | 6B | 174 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| When Our Wings Are Cut, Can We Still Fly? | Kronos Quartet | A Minor | 2 | 8A | 154 BPM | ||
| Ways to Heaven | François Rousselot | C Major | 1 | 8B | 120 BPM | ||
| Spiegel im Spiegel (Version for Cello & Piano) - Version for Cello and Piano | Arvo Pärt, Alexander Malter, Dietmar Schwalke | F Major | 0 | 7B | 86 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| III. Water | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | D Major | 4 | 10B | 86 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| There, Before Me | Pêtr Aleksänder | D Minor | 0 | 7A | 71 BPM | ||
| Arabesque | Jeremy Cullen | G Major | 2 | 9B | 84 BPM |