Today You Will Know That the Lord Will Come - Christmas Vigil Entrance Antiphon #14 by Steve Angrisano, Sarah Hart, Curtis Stephan, Jennifer Williams Song Details

Steve Angrisano, Sarah Hart, Curtis Stephan, Jennifer Williams's ' "Today You Will Know That the Lord Will Come - Christmas Vigil Entrance Antiphon #14" was released on its scheduled release date, November 10, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Steve Angrisano, Sarah Hart, Curtis Stephan's "Let Us All Rejoice" album is number 14 out of 202. The popularity of Today You Will Know That the Lord Will Come - Christmas Vigil Entrance Antiphon #14 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Today You Will Know That the Lord Will Come - Christmas Vigil Entrance Antiphon #14 by Steve Angrisano, Sarah Hart, Curtis Stephan, Jennifer Williams to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Music Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -8.654 dB
Acousticness: 45%
Danceability: 52%
Energy: 42%
Instrumentalness: 0%
Liveness: 12%
Loudness: 86%
Speechiness: 4%
Valence: 54%

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