Rachel Eckroth's ' "Strange Meeting" was released on its scheduled release date, October 1, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rachel Eckroth's "Humanoid" album is number 7 out of 8. On top of that, United States appears to be the country where this track was created. Based on our statistics, Strange Meeting's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Strange Meeting by Rachel Eckroth to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Does She Hope to Be? | Matthew Stevens, Jeff Parker, Terri Lyne Carrington | D♭ Major | 5 | 3B | 135 BPM | ||
| Strangest Dream | Rachel Eckroth | B♭ Major | 2 | 6B | 65 BPM | ||
| Étoile Filante | The Saints of Paris, John Hadfield, Rachel Eckroth | C Major | 4 | 8B | 80 BPM | ||
| Song for Chè | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| WORRIED WORLD | Tom Ollendorff | D Major | 1 | 10B | 71 BPM | ||
| My Legs Are Killing Me, But It Hurts So Good | Marty Holoubek, Shun Ishiwaka, 渡辺翔太 | D♭ Major | 2 | 3B | 93 BPM | ||
| NOUAKCHOTT | Frank Woeste, Franck Agulhon | D♭ Major | 5 | 3B | 135 BPM | ||
| Expeditions | Danilo Perez, Bohuslän Big Band, Alberto Pinton, Niclas Rydh | C Major | 2 | 8B | 83 BPM | ||
| Broken Leg Days | Brian Blade & The Fellowship Band | C Major | 3 | 8B | 157 BPM | ||
| Make It So | Javier Nero, Randy Brecker, Shawn Purcell | D♭ Major | 5 | 3B | 135 BPM | ||
| Hauntology | Michael Wollny, Tim Lefebvre, Eric Schaefer | B♭ Minor | 1 | 3A | 116 BPM | ||
| You Must Believe In Springroll | Rémi Panossian Trio | D Major | 1 | 10B | 128 BPM | ||
| Pure Imagination - Live | Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold, Rachel Eckroth | E Minor | 6 | 9A | 115 BPM | ||
| Can We Keep Coming Back Here | Lucy Clifford, Tom Avgenicos, David Reglar, Freyja Garbett, Alex Masso, Chris Fields | D Major | 2 | 10B | 100 BPM | ||
| Lament & Consolation | Suzan Veneman, Vincent Veneman | A♭ Minor | 2 | 1A | 122 BPM | ||
| Vintage Orion | The Saints of Paris, Rachel Eckroth, John Hadfield | D♭ Major | 7 | 3B | 94 BPM | ||
| Lerner | Mattam Mejía | D♭ Major | 5 | 3B | 135 BPM | ||
| Pantruche | Alexis Valet, Hermon Mehari, Francesco Geminiani, Tony Tixier, Samuel F'hima, Tilo Bertholo | E♭ Major | 5 | 5B | 123 BPM | ||
| A Life's Flavour | David Tixier Trio | D♭ Major | 7 | 3B | 122 BPM | ||
| Safe Passage | Sultan Stevenson | C Minor | 1 | 5A | 103 BPM | ||
| Don't Judge by the Feathers | Hermon Mehari, NO(w) Beauty, Enzo Carniel | D♭ Major | 5 | 3B | 135 BPM | ||
| Femme lunaire | Maurizio Minardi Trio | B♭ Major | 3 | 6B | 114 BPM | ||
| Sing Sing | Dave Douglas | D♭ Major | 5 | 3B | 135 BPM | ||
| Zukunft | White Noise Trio | C Major | 2 | 8B | 86 BPM | ||
| Johanna | Nabou | D♭ Major | 5 | 3B | 135 BPM |