Rudolf Kattnigg, Christel Mardayn's 'Bel Ami, Act II: Dialog 11 (Clothilde)' had a release date set for September 5, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Per Grunden, Gerda Scheyrer's "Kattnigg: Bel Ami" album is number 25 out of 38. On top of that, Germany appears to be the country where this track was created. Bel Ami, Act II: Dialog 11 (Clothilde) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bel Ami, Act II: Dialog 11 (Clothilde) by Rudolf Kattnigg, Christel Mardayn to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| Hänsel und Gretel, Act II: Ein Männlein steht im Walde (Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| La Gioconda / Act 2: Sia gloria ai canti dei navaganti! | Amilcare Ponchielli, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 79 BPM | ||
| Ombra mai fu (from Xerxes) | Fritz Wunderlich, Radio Sinfonie-Orchester Stuttgart, Alfons Rischner | G Major | 3 | 9B | 73 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Die Himmel rühmen der ewigen Ehre - Die Ehre Gottes in der Natur | Der Montanara Chor | C Major | 2 | 8B | 84 BPM | ||
| Cadman: 2 Songs, Op. 29: No. 1, At Dawning | Charles Wakefield Cadman, Thomas Hampson, Kenneth Sillito, Armen Guzelimian | A♭ Major | 1 | 4B | 77 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| La montanara (from the film The Glass Mountain) - 1993 Remastered Version | Luigi Pigarelli, Tito Gobbi | F Major | 1 | 7B | 99 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | A♭ Major | 1 | 4B | 77 BPM | ||
| Die Fledermaus / Act 2: "Genug damit, genug" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Karin Gottling-Poltner, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 3 | 9B | 64 BPM | ||
| Schwarzwaldmädel · Operette in drei Akten (Querschnitt in der Originalinstrumentierung) (2002 Digital Remaster), Zweiter Akt: - Alle Werden Sie Sich Drehen - Erklingen Zum Tanze Die Geigen (Bärbele, Römer) | Leon Jessel, Kurt Böhme, Erika Köth, Jürgen Förster, Christine Görner, Heinz Hoppe, Symphonieorchester Graunke, Cornelius Eberhardt, Harry Friedauer, Chor des Theaters am Gärtnerplatz, München, Willy Mattes | A Major | 2 | 11B | 84 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Der Schweinefürst | Martin Frank | E♭ Minor | 8 | 2A | 138 BPM | ||
| Bellini: I puritani: "Ad Arturo onore" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Bel Ami, Act I: Dialog 1 (Bel Ami) | Rudolf Kattnigg, Per Grunden | E♭ Major | 4 | 5B | 131 BPM | ||
| Bel Ami, Act II: "Geh, Susanna" (Bel Ami) | Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Per Grunden | F Major | 1 | 7B | 81 BPM | ||
| Puccini: Tosca, Act 3: "O dolci mani mansuete e pure" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 69 BPM | ||
| Bellini: I puritani: "Il rito augusto si compia senza me" (Valton, Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| 240 - Não me cansarei de cantar | Orquestra Sacra | A♭ Major | 1 | 4B | 77 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM |