Dave Whitman's 'Dear John' had a release date set for October 1, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Oh, Clara!". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Dear John's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dear John by Dave Whitman having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smooth Dusk | The Velvet Brewers | C Minor | 0 | 5A | 100 BPM | ||
| Paper-thin walls | Benjamine Leroy Quartet | C Minor | 1 | 5A | 107 BPM | ||
| His Scarf Was There | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| It Wasn’t for You | Lia Riggs Trio | E Minor | 1 | 9A | 99 BPM | ||
| Deep Night | Ben Paterson, Luke Sellick | A♭ Major | 1 | 4B | 80 BPM | ||
| Mr. KG | Kristofer Gaston | F Minor | 2 | 4A | 146 BPM | ||
| March On | Luke Marantz Trio | E♭ Major | 2 | 5B | 116 BPM | ||
| Clear Skies Ahead | Rik van der Made, Alex Hitchcock, Niklas Lukassen, Benji Bown, Jonah Evans | C Minor | 0 | 5A | 100 BPM | ||
| L'equilibrista senza rete | Marco Zanoli, Michelangelo Decorato, Andrea Lamacchia | G Minor | 5 | 6A | 116 BPM | ||
| Hotel 17 | The Dam Jawn, Jeremy Pelt | F Minor | 6 | 4A | 120 BPM | ||
| Blurred Horizons | Milan Drex | C Minor | 0 | 5A | 100 BPM | ||
| TOO MANY OPTIONS | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| It’s An Idea | Odo Lefebvre | B♭ Major | 0 | 6B | 114 BPM | ||
| Them | Daniela Mastrandrea, Michele Paternoster | F Major | 1 | 7B | 116 BPM | ||
| Looking Through a Mirrorglass | 6th Street Jazz | A Major | 2 | 11B | 73 BPM | ||
| Tip Toein' | Dan Crisci | D♭ Major | 3 | 3B | 131 BPM | ||
| Half-Remembered Lullabies | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Maybe | Trio Del Norte | D♭ Major | 4 | 3B | 93 BPM | ||
| Heartaches | Scott Hamilton | C Minor | 0 | 5A | 100 BPM | ||
| After the Rain | Noah Vey DH | D♭ Minor | 3 | 12A | 85 BPM | ||
| Oh My | Nuvole | A Minor | 4 | 8A | 123 BPM | ||
| Grönbete | Jon Henriksson, Pelle von Bülow, Rasmus Holm | G Major | 4 | 9B | 83 BPM | ||
| Contrails | Joe Locascio, David Craig, Tim Solook | F Major | 3 | 7B | 104 BPM | ||
| Stars In The Distance | 6th Street Jazz | E♭ Major | 2 | 5B | 99 BPM | ||
| Ice on Asphalt | Black Tie Underground | F Major | 2 | 7B | 53 BPM |