"Whatever Gets You Through The Night" by Emile Mosseri had its release date on June 7, 2019. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Last Black Man in San Francisco (Original Motion Picture Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Whatever Gets You Through The Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Whatever Gets You Through The Night by Emile Mosseri having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Her Face | Nathan Johnson | C Major | 1 | 8B | 68 BPM | ||
| Evelyn (What We Were We Are) | Patrick Jonsson | G Major | 3 | 9B | 95 BPM | ||
| Things To Really Care About | Alexis Grapsas, Philip Klein | E Major | 1 | 12B | 56 BPM | ||
| Time Passing I | Mark Isham | F♯ Minor | 1 | 11A | 83 BPM | ||
| Fake Falsey People | Emile Mosseri | D♭ Major | 0 | 3B | 53 BPM | ||
| San Francisco (Be Sure to Wear Flowers in Your Hair) [Instrumental] | Daniel Herskedal | A♭ Major | 0 | 4B | 75 BPM | ||
| Afresh Afresh | Disasterpeace | B♭ Minor | 0 | 3A | 176 BPM | ||
| Rizzio's Plea | Max Richter | A Minor | 0 | 8A | 66 BPM | ||
| Manchester Minimalist Piano and Strings - Variation | Lesley Barber | E♭ Major | 0 | 5B | 74 BPM | ||
| Piano One | Jon Brion | C Major | 0 | 8B | 109 BPM | ||
| Five Minutes from Now | Daniel Hart | G Major | 2 | 9B | 159 BPM | ||
| All Plays Out (Fire Sale Version) | Jon Brion | D Major | 1 | 10B | 93 BPM | ||
| Heartrending Story of Bubu | jung jaeil | F Major | 1 | 7B | 97 BPM | ||
| Doesn't Time Be Flying | Carter Burwell | C Major | 0 | 8B | 58 BPM | ||
| Babyproofing / Bonfire | Marco Beltrami | A Minor | 0 | 8A | 75 BPM | ||
| Blood Will Have Blood | Carter Burwell | A Major | 0 | 11B | 119 BPM | ||
| Ryan | Anthony Willis | D♭ Minor | 0 | 12A | 50 BPM | ||
| Opening Day | Mychael Danna | E Minor | 3 | 9A | 95 BPM | ||
| SOUND | Abraham Marder, Nicolas Becker | D Minor | 0 | 7A | 80 BPM | ||
| So Soft | Jonny Greenwood | C Major | 2 | 8B | 62 BPM | ||
| Maggie's Plea | Clint Eastwood | D♭ Major | 1 | 3B | 61 BPM | ||
| Eddington (Opening) | Daniel Pemberton | A Major | 1 | 11B | 65 BPM | ||
| What If We Get Sick of Each Other | Cornbread Compton | D Minor | 0 | 7A | 133 BPM | ||
| Followed | Daniel Lopatin | A♭ Major | 2 | 4B | 85 BPM | ||
| Spying | Nico Muhly | F Minor | 1 | 4A | 144 BPM |