"Niagara" by Thomas Newman had its release date on December 30, 2022. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Niagara's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 24 in A Man Called Otto (Original Motion Picture Soundtrack) by Thomas Newman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Niagara is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Niagara by Thomas Newman is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Stationary Cycle | Theodore Shapiro, Mark Graham | B Minor | 2 | 10A | 88 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| A Little Chaos | Peter Gregson | E♭ Major | 2 | 5B | 138 BPM | ||
| Spotlight | Howard Shore | G Major | 0 | 9B | 68 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| A Royal Affair | Ruth Barrett | B♭ Minor | 2 | 3A | 117 BPM | ||
| The Second Story | Mychael Danna | E Minor | 0 | 9A | 138 BPM | ||
| The Drive To Paris | John Powell | C Major | 0 | 8B | 105 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | John Barry | E♭ Major | 1 | 5B | 92 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM | ||
| Journey to the Mountains | Barnaby Taylor | B Minor | 3 | 10A | 72 BPM | ||
| Marian | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Wonders Of An Ancient Glory - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 59 BPM |