You'd Be So Nice To Come Home To
Tony Perkins
On A Rainy Afternoon
3:06 September 19, 1958
BPM
130
Key
F♯ Minor
Camelot
11A

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You'd Be So Nice To Come Home To by Tony Perkins Song Details

Tony Perkins's 'You'd Be So Nice To Come Home To' had a release date set for September 19, 1958. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "On A Rainy Afternoon". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, You'd Be So Nice To Come Home To's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With You'd Be So Nice To Come Home To by Tony Perkins having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-17.696 dB
Acousticness
99%
Danceability
51%
Energy
11%
Instrumentalness
1%
Liveness
14%
Loudness
71%
Speechiness
4%
Valence
38%

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ISRC
USRC15807167
Label
L-M Records/RCA Records