Blue Mitchell's ' "Dorado" was released on its scheduled release date, May 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Blue Mitchell's "Graffiti Blues" album is number 5 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Dorado's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dorado by Blue Mitchell to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meowgic Hour | Nebula Breeze | F♯ Minor | 8 | 11A | 122 BPM | ||
| Sneakin' In The Back | Tom Scott And The L.A. Express | A♭ Major | 8 | 4B | 87 BPM | ||
| Ballad Medley - Instrumental | Louie Bellson, Blue Mitchell | E♭ Major | 1 | 5B | 130 BPM | ||
| Now This How We Do It | Solsonics | F Major | 6 | 7B | 95 BPM | ||
| Rampage | Whitefield Brothers | E Major | 10 | 12B | 105 BPM | ||
| The Thang | Funk Inc. | D Minor | 7 | 7A | 102 BPM | ||
| Ain't It A Groove | Dave Hamilton | D Minor | 7 | 7A | 96 BPM | ||
| Give It Up | Kool & The Gang | A Minor | 7 | 8A | 97 BPM | ||
| The Archipelago | Osaka Monaurail | B Major | 7 | 1B | 97 BPM | ||
| The Way It Used to Be | Pacific Express, Paul Abrahams, Chris Schilder, Vic Higgins | G Major | 9 | 9B | 120 BPM | ||
| Rudy's Intervention | The Sugarman 3 | C Minor | 8 | 5A | 91 BPM | ||
| Hot Rod | Reuben Wilson | C Minor | 7 | 5A | 90 BPM | ||
| First Come, First Served | Ramon Morris | C Major | 6 | 8B | 178 BPM | ||
| The Panther | Manu Dibango | D♭ Major | 9 | 3B | 118 BPM | ||
| I'll Take You There | Reuben Wilson | F Major | 5 | 7B | 115 BPM | ||
| Freaky Frankie | Lefties Soul Connection | G Minor | 8 | 6A | 140 BPM | ||
| Where I’m Coming From | Leon Spencer | G Major | 4 | 9B | 157 BPM | ||
| Song For My Father | Horace Silver | F Minor | 7 | 4A | 127 BPM | ||
| Teenager | Oscar Peterson Quartet | C Major | 6 | 8B | 114 BPM | ||
| Blues For Brother George Jackson | Archie Shepp | B Major | 5 | 1B | 124 BPM | ||
| Pick Up The Pieces One By One | A.A.B.B. | C Major | 9 | 8B | 104 BPM | ||
| Scorpio | Kashmere Stage Band | D♭ Major | 7 | 3B | 111 BPM | ||
| Walk That Walk, Talk That Talk | Weldon Irvine | F Minor | 8 | 4A | 98 BPM | ||
| Gibraltar | Stanley Turrentine | F Major | 6 | 7B | 91 BPM | ||
| Life on Mars | Dexter Wansel | G Major | 9 | 9B | 118 BPM |