Arthur Honegger, Gennady Rozhdestvensky, USSR Ministry Of Culture Symphony Orchestra's 'Symphony No. 5, H. 202: III. Allegro marcato' had a release date set for March 7, 2022. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 11 out of 21 in Arthur Honegger: Orchestral Works by Arthur Honegger, Gennady Rozhdestvensky. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. Based on our statistics, Symphony No. 5, H. 202: III. Allegro marcato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 5, H. 202: III. Allegro marcato by Arthur Honegger, Gennady Rozhdestvensky, USSR Ministry Of Culture Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| Stravinsky: Fireworks, Op. 4 | Igor Stravinsky, Melbourne Symphony Orchestra, Hiroyuki Iwaki | E Major | 2 | 12B | 62 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Falla: Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | A♭ Major | 0 | 4B | 128 BPM | ||
| Violin Concerto No. 3: III. Dance. Giocoso. | Joseph Achron, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | A♭ Major | 0 | 4B | 128 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Piano Concerto in B-Flat Minor, Op. 37: III. Furiosa | Kurt Atterberg, Love Derwinger, NDR Radiophilharmonie, Ari Rasilainen | B♭ Minor | 2 | 3A | 118 BPM | ||
| Fontane di Roma, P. 106: III. La fontana di Trevi al meriggio | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 105 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | F Minor | 4 | 4A | 82 BPM | ||
| Organ Concerto in G Minor, FP 93: V. Tres calme. Lent | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 0 | 7B | 169 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Walton: Cello Concerto: II. Allegro appassionato | William Walton, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | D Major | 3 | 10B | 133 BPM | ||
| String Quartet No. 4, Op. 25, "Suite": III. Adagietto (Adagio) | Alexander von Zemlinsky, Escher String Quartet | F♯ Major | 0 | 2B | 66 BPM |