Ravindra Sathe, Suresh Waskar, Anuradha Paudwal, Kapil Vyas, Uma Sharma, Zulfikar, Shankar Narayan's 'Aana Tum Har Saal' had a release date set for March 14, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ravindra Sathe's "Ganesh Prarthana" album is number 1 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Aana Tum Har Saal's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aana Tum Har Saal by Ravindra Sathe, Suresh Waskar, Anuradha Paudwal, Kapil Vyas, Uma Sharma, Zulfikar, Shankar Narayan to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daridrya Dahan Shiva Stotram | Dharna Pahwa | B Major | 4 | 1B | 116 BPM | ||
| Mahishasura Mardini Stotra | Anandmurti Gurumaa | F Major | 7 | 7B | 130 BPM | ||
| नादातून या नाद निर्मितो | Mandhar apte | F Major | 6 | 7B | 130 BPM | ||
| Kamakhya Stotram | Debasish Chakraborty | E♭ Minor | 4 | 2A | 69 BPM | ||
| Ganga Dharay | Rohan Jaiswal, Ashutosh Anand | B Minor | 7 | 10A | 98 BPM | ||
| Yam Yam Yaksharupam | M. M. Keeravani | E♭ Minor | 6 | 2A | 140 BPM | ||
| Shri Krishna Govind Hare Murari | Simpal Kharel | D♭ Major | 6 | 3B | 90 BPM | ||
| Shree Ganesh Mantra | Chorus | D♭ Major | 6 | 3B | 140 BPM | ||
| Rang Mohe Ramnaam | Master Rana | F♯ Minor | 6 | 11A | 168 BPM | ||
| Khandoba Aarti | Vishwajeet Borwankar, Mangesh Borgaonkar | E♭ Major | 5 | 5B | 140 BPM | ||
| Vishnu Stuti | Bhupali Das, Sunny Barman | D Major | 4 | 10B | 95 BPM | ||
| Karmno Sangathi | Hari Bharwad | B Major | 6 | 1B | 116 BPM | ||
| Achyutam Keshvam Krishna Damodaram | Kanishka Negi | F Minor | 8 | 4A | 90 BPM | ||
| Kunjika Stotram | Prem Prakash Dubey | F♯ Major | 7 | 2B | 142 BPM | ||
| Narasimha Arati | ISKCON Bangalore | F Minor | 7 | 4A | 172 BPM | ||
| Dakhsin Kalika Stotro | Debasish Chakraborty | D♭ Major | 5 | 3B | 147 BPM | ||
| Sankat Mochan Naam Tiharo | Sarvesh Mishra | A Minor | 3 | 8A | 95 BPM | ||
| Jai Dev Jai Dev Jai Mangal | Sudesh Bhosle | G Major | 6 | 9B | 117 BPM | ||
| Datt Bavni | Sachin Limaye, Forum Mehta | F♯ Minor | 4 | 11A | 105 BPM | ||
| Shiva, Shiva, Shiva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | D♭ Major | 2 | 3B | 127 BPM | ||
| Radhe Kaun Se Punya Kiye Tune | Susmirata Dawalkar | B Major | 2 | 1B | 85 BPM | ||
| Nadatuniya Naad Nirmito | Kishor Kulkarni | G Minor | 7 | 6A | 84 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Shuddabrahma - Pbsreenivas | P. B. Sreenivas | C Major | 8 | 8B | 98 BPM | ||
| Durge Durgat Bhari - Aarti Devichi | Ravindra Sathe, Uttara Kelkar | B Major | 6 | 1B | 101 BPM |