"Semele / Act 2: Oh sleep, why dost thou leave me?" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket had its release date on January 1, 2004. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #1. The popularity of Semele / Act 2: Oh sleep, why dost thou leave me? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Semele / Act 2: Oh sleep, why dost thou leave me? by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
| Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
| Stabat Mater, P. 77: VIII. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Ara excelsa, ara pretiosa" (Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Philippe Jaroussky | F♯ Minor | 2 | 11A | 135 BPM | ||
| Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 75 BPM | ||
| Porgy and Bess, Act I: Summertime | George Gershwin, Kathleen Battle, Orchestra of St. Luke's, André Previn | F♯ Minor | 1 | 11A | 79 BPM | ||
| Dorilla In Tempe, RV 709: Dell'aura al sussurar | Antonio Vivaldi, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | B Major | 2 | 1B | 98 BPM | ||
| La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
| Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
| Fauré: Requiem, Op. 48 : IV. Pie Jesu | Gabriel Fauré, André Cluytens, Henriette Puig-Roget, Victoria de los Ángeles, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 0 | 12B | 87 BPM | ||
| Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | F♯ Minor | 4 | 11A | 132 BPM | ||
| Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
| Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
| Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 118 BPM | ||
| Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing | B Major | 1 | 1B | 80 BPM | ||
| Rinaldo / Act 1: Recitativo: Signor, già dal tuo senno | George Frideric Handel, David Daniels, Bernarda Fink, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
| La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
| Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM |