Richard Rodgers, Ezio Pinza, Mary Martin, Barbara Luna, Salvatore Dell'Isola's 'South Pacific - Original Broadway Cast Recording: Finale: Dites-moi (Reprise) - Voice' had a release date set for 1949. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "South Pacific (Original Broadway Cast Recording)". In this album, this song's track order is #16. South Pacific - Original Broadway Cast Recording: Finale: Dites-moi (Reprise) - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With South Pacific - Original Broadway Cast Recording: Finale: Dites-moi (Reprise) - Voice by Richard Rodgers, Ezio Pinza, Mary Martin, Barbara Luna, Salvatore Dell'Isola having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stranger in Paradise (From "Kismet") | Alexander Borodin, André Rieu, Johann Strauss Orchestra | F Minor | 2 | 4A | 125 BPM | ||
| True Love (From "High Society") | Cole Porter, André Rieu, Johann Strauss Orchestra | E♭ Major | 2 | 5B | 79 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Les Miserables String Medley | Albert Chang | F Major | 1 | 7B | 79 BPM | ||
| Oklahoma!, Act 1: No. 10, Many a New Day (Dance and Reprise) | Richard Rodgers, Sierra Boggess, 'Oklahoma!' Ensemble (Girls), Sinfonia Of London, John Wilson | A Major | 1 | 11B | 127 BPM | ||
| Ol' Man River - Original | The Cast of The Show Boat | C Major | 2 | 8B | 89 BPM | ||
| Westminster Waltz | Robert Farnon | D Major | 3 | 10B | 76 BPM | ||
| Belle of the Ball | The Mantovani Orchestra | A Major | 4 | 11B | 102 BPM | ||
| Ländler | Charlotte Guldberg, Hans Nielsen | F Major | 2 | 7B | 121 BPM | ||
| This Can't Be Love | Davis Gaines, Sarah Uriarte Berry, Richard Rodgers, Lorenz Hart | A♭ Major | 4 | 4B | 185 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, London Promenade Orchestra, Alexander Faris | E♭ Major | 1 | 5B | 74 BPM | ||
| The Sound Of Music: Overture | Oscar Hammerstein II, Michael Reed, Richard Rodgers, Royal Philharmonic Pops Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | ||
| Love Theme / I'll Never Leave You (From "Sophie's Choice") | Marvin Hamlisch, Richard Stoltzman | E Major | 0 | 12B | 135 BPM | ||
| Theme From Buongiorno Principessa | Jeff Steinberg | G Major | 1 | 9B | 46 BPM | ||
| Love Me Tender | Victor Young, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| Finale Ultimo | Richard Harris, Lee Herschberg | E♭ Major | 2 | 5B | 137 BPM | ||
| That's Amore | Harry Warren, André Rieu, Johann Strauss Orchestra | D Major | 2 | 10B | 129 BPM | ||
| This Nearly Was Mine | Paulo Szot | C Major | 2 | 8B | 88 BPM | ||
| The Sound Of Music (Selections) | Richard Rodgers, Richard Hayman, Richard Hayman Symphony Orchestra | F Major | 2 | 7B | 125 BPM | ||
| The Last Rose - ARV_17 | Friedrich von Flotow, André Rieu, Johann Strauss Orchestra | B♭ Major | 4 | 6B | 99 BPM | ||
| Annie: Overture | Charles Strouse, Annie Orchestra, Annie (Original Broadway Cast), Peter Howard | E♭ Major | 3 | 5B | 97 BPM | ||
| I Could Have Danced All Night | Frederick Loewe, André Rieu, Johann Strauss Orchestra | G Minor | 3 | 6A | 69 BPM | ||
| Thaïs | Katica Illényi | F Major | 2 | 7B | 174 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM |