"4本のクラリネットのための四重奏曲 Ⅲ.アレグレット (Arr. for 4*B-flat Cl)" by J.M. ダマーズ, ザ・クラリネット・アンサンブル had its release date on June 25, 2016. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 4本のクラリネットのための四重奏曲 Ⅲ.アレグレット (Arr. for 4*B-flat Cl)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 5つのミニアチューレ クラリネット・アンサンブルの芸術 Ⅰ, so we believe that "4本のクラリネットのための四重奏曲 Ⅲ.アレグレット (Arr. for 4*B-flat Cl)" is a single. 4本のクラリネットのための四重奏曲 Ⅲ.アレグレット (Arr. for 4*B-flat Cl) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4本のクラリネットのための四重奏曲 Ⅲ.アレグレット (Arr. for 4*B-flat Cl) by J.M. ダマーズ, ザ・クラリネット・アンサンブル is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scenes from Childhood, Op. 15 (Arr. for Piano and Bassoon by David Petersen): V. Perfect Happiness | Robert Schumann, Lilit Grigoryan, David Petersen | G Major | 2 | 9B | 77 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| La Traviata: Noi siamo Zingarelle | The Royal Wind Music | F Minor | 1 | 4A | 136 BPM | ||
| Oboe Sonata, Op. 166: I. Andantino | Camille Saint-Saëns, David Friedemann Strunck, Christian Ihle Hadland | D Major | 0 | 10B | 77 BPM | ||
| Romance, Op. 26 | Piotr Rytel, Anna Miernik, Barbara Borowicz | B♭ Major | 3 | 6B | 81 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| カプリオール組曲: V. Pieds-en-l'air | Peter Warlock, 石田組 | G Major | 1 | 9B | 114 BPM | ||
| Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 2 | 9B | 77 BPM | ||
| Oror, Op. 1 (Arr. for Violin, Harp & Strings by Dana Paul Perna) | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 0 | 7B | 136 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Liebster Jesu, wir sind hier, BWV 731 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis, Martyn Brabbins | E♭ Major | 0 | 5B | 73 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| well done | Soundscapes of Serenity | C Major | 0 | 8B | 110 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | G Major | 3 | 9B | 89 BPM | ||
| Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: III. Andante cantabile | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Major | 2 | 5B | 101 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Summer Music, Op. 31: I. Slow and Indolent | Samuel Barber, Ensemble Ouranos | A♭ Minor | 0 | 1A | 134 BPM | ||
| Telemann: Oboe Concerto in F Minor, TWV 51:f1: II. Largo e piano (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Georg Philipp Telemann, Alison Balsom, Pinnock’s Players, Trevor Pinnock | F Major | 1 | 7B | 80 BPM |