"Left for Dead" by Paul Leonard-Morgan had its release date on June 24, 2019. This song appears to be safe for all ages as it is not explicit. The track order of this song in Paul Leonard-Morgan's "Last Breath (Original Motion Picture Soundtrack)" album is number 17 out of 20. Left for Dead is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Left for Dead by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Life Forms | Guillaume David | F Major | 4 | 7B | 144 BPM | ||
| Leaving It All Behind | Sam Hulick | D Major | 0 | 10B | 80 BPM | ||
| The Blast | Jack Bartman | G Major | 0 | 9B | 82 BPM | ||
| Clean Your Desk | Ilan Eshkeri | D Minor | 2 | 7A | 99 BPM | ||
| I Put All That Away | Max Richter | D Minor | 0 | 7A | 184 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Running Out Of Time | Adam Peters | C Major | 2 | 8B | 191 BPM | ||
| Hope | Philip Glass, Paul Leonard-Morgan | C Major | 1 | 8B | 102 BPM | ||
| Innerwars | Jack Bartman | D Minor | 3 | 7A | 175 BPM | ||
| Arrival of the Blood Ravens | Paul Leonard-Morgan | A Major | 8 | 11B | 105 BPM | ||
| THE ALGORITHM | Ludwig Göransson | F Minor | 6 | 4A | 100 BPM | ||
| Test of Loyalty | P.T. Adamczyk | D♭ Major | 9 | 3B | 140 BPM | ||
| Atlantis | P.T. Adamczyk | E Minor | 9 | 9A | 138 BPM | ||
| Out | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 99 BPM | ||
| Tower Lockdown | Paul Leonard-Morgan | B♭ Major | 5 | 6B | 120 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| V | Marcin Przybyłowicz | F Major | 8 | 7B | 90 BPM | ||
| Gramr | David García Díaz | G Minor | 2 | 6A | 120 BPM | ||
| Eye for an Eye | Mac Quayle | A Major | 1 | 11B | 92 BPM | ||
| Five Senses | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Et Ratio Principalis | Petri Alanko | A Major | 4 | 11B | 128 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| December and January | Mick Gordon | D Minor | 6 | 7A | 156 BPM | ||
| No Honor Among Men Like Me | Daniel Ciurlizza, Joni Fuller | G Major | 2 | 9B | 115 BPM | ||
| In My Gut | The Toxic Avenger, Martin Stig Andersen, Gildaa | G Minor | 1 | 6A | 123 BPM |