Ryuichi Sakamoto's 'Aqua' had a release date set for November 22, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ryuichi Sakamoto's "Monster (Original Motion Picture Soundtrack)" album is number 7 out of 7. On top of that, Japan appears to be the country where this track was created. Aqua is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aqua by Ryuichi Sakamoto to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moments Musicaux - Prelude | 阿部海太郎 | F♯ Major | 0 | 2B | 71 BPM | ||
| re:member | Ólafur Arnalds | A♭ Major | 3 | 4B | 140 BPM | ||
| 23:17 | Ólafur Arnalds, Nils Frahm | D♭ Major | 2 | 3B | 111 BPM | ||
| The Blue Notebooks | Max Richter, Tilda Swinton | G Major | 2 | 9B | 108 BPM | ||
| Murmured | yutakayanagi | A Major | 2 | 11B | 115 BPM | ||
| Human Universe | Hayato Sumino | F Major | 2 | 7B | 106 BPM | ||
| Nomad | Vemeer | E Major | 0 | 12B | 102 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| 別れ | Quruli | G Major | 2 | 9B | 99 BPM | ||
| The Seed And The Sower | Ryuichi Sakamoto | A Minor | 2 | 8A | 124 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| haru | Fennesz, Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 72 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| Marginalia #62 | Masakatsu Takagi | B♭ Major | 2 | 6B | 94 BPM | ||
| Drive My Car (the important thing is to work) | Eiko Ishibashi | B Major | 4 | 1B | 132 BPM | ||
| Amore | Ryuichi Sakamoto | F Major | 1 | 7B | 117 BPM | ||
| Sunlight | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 2 | 2A | 36 BPM | ||
| Clown | Bever | A Major | 2 | 11B | 115 BPM | ||
| Seven Samurai - ending theme | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | G Minor | 0 | 6A | 73 BPM | ||
| The Ocean Sings | Taisei Iwasaki | C Major | 1 | 8B | 112 BPM | ||
| A Pile of Dust | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 1 | 4B | 81 BPM | ||
| 猫が来る | Taeko Onuki, フェビアン・レザ・パネ | A Major | 2 | 11B | 81 BPM | ||
| 0318 | Fennesz, Ryuichi Sakamoto | A Minor | 1 | 8A | 55 BPM | ||
| Hoei (feat. Manami Kakudo) | Ayatake Ezaki, 角銅真実 | D Minor | 2 | 7A | 198 BPM | ||
| Refracted | Alex Heffes, Ryuichi Sakamoto | F Major | 1 | 7B | 112 BPM |