"The Nutcracker, Op. 71, Act I: IV. Scene, Arrival of Drosselmeyer" by Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic had its release date on January 1, 1992. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "The Nutcracker". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. The Nutcracker, Op. 71, Act I: IV. Scene, Arrival of Drosselmeyer is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71, Act I: IV. Scene, Arrival of Drosselmeyer by Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| II. Gagliarda (Vincenzo Galilei) | Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Babes in Toyland: March of the Toys | Arthur Fiedler | A Minor | 2 | 8A | 120 BPM | ||
| The Nutcracker, Op. 71, Act II: XIIe. Dance of the Reed Pipes | Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic | D Major | 0 | 10B | 135 BPM | ||
| Geheime Anziehungskräfte (Dynamiden), Walzer, Op. 173 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | E Major | 1 | 12B | 99 BPM | ||
| Fantasy, The Holly And The Ivy | Arnold, Royal Philharmonic Orchestra, Anthony Inglis | G Major | 1 | 9B | 87 BPM | ||
| The Nutcracker, Ballet Suite, Op. 71a: V. Arab Dance | South German Philharmonic Orchestra | G Minor | 0 | 6A | 105 BPM | ||
| Hark! the Herald Angels Sing | 101 Strings Orchestra | E♭ Major | 2 | 5B | 89 BPM | ||
| Løvenskiold: La Sylphide, Act 1: Arrival of the Guests - Pas d'écossaise (Allegro vivace - Tempo di Marcia) | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | G Major | 3 | 9B | 80 BPM | ||
| Let It Snow! Let It Snow! | Jule Styne, Boston Pops Orchestra, John Williams | G Major | 2 | 9B | 149 BPM | ||
| Messiah, HWV 56, Pt. 1: 13. Pifa (Pastoral Symphony) | The City of Prague Philharmonic Chamber Group, Richard Hein | C Major | 3 | 8B | 82 BPM | ||
| The Nutcracker, Ballet Suite, Op. 71a: IV. Russian Dance (Trepak) | South German Philharmonic Orchestra | G Major | 5 | 9B | 86 BPM | ||
| Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Robert Bockholt: Jesu Joy of Men's Desiring | Johann Sebastian Bach, Boston Pops Orchestra, Arthur Fiedler | G Major | 2 | 9B | 101 BPM | ||
| Sound the Bells! | John Williams, Recording Arts Orchestra of Los Angeles | A Major | 3 | 11B | 159 BPM | ||
| The Nutcracker, Ballet Suite, Op. 71a: III. Dance of the Sugar Plum Fairy | South German Philharmonic Orchestra | B Minor | 0 | 10A | 126 BPM | ||
| The Kingdom Of Sweets | Narada Nutcracker Performers | E Major | 2 | 12B | 96 BPM | ||
| The Nutcracker, Op. 71: Overture | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | B♭ Major | 1 | 6B | 132 BPM | ||
| The Nutcracker, Op. 71, Act I: VIII. Scene, The Nutcracker Battles the Mouse King's Army | Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic | D Minor | 3 | 7A | 77 BPM | ||
| Old Christmas Music: III. French trad.: Bring a Torch | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | A Major | 2 | 11B | 103 BPM | ||
| Christmas Eve - Suite (from opera): Procession to Midnight Mass and Carols | Nikolai Rimsky-Korsakov, Loris Tjeknavorian, Armenian Philharmonic Orchestra | F Major | 0 | 7B | 130 BPM | ||
| O Holy Night (Cantique de Noel) - Orchestral Version | Adolphe Adam, London Chamber Orchestra, Christopher Warren-Green, Margaret Campbell | E♭ Major | 1 | 5B | 171 BPM | ||
| Improvisations on Christmas Carols: Allegro | Bryan George Kelly, Prague City Philharmonic Orchestra, Gavin Sutherland | E Minor | 3 | 9A | 130 BPM | ||
| Concerto grosso No. 12 in C Major, Op. 3/12 "Christmas Concerto": I. Largo (Pastorale per il Santissimo Natale) | Francesco Onofrio Manfredini, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 94 BPM | ||
| Dream Pantomime (Hansel and Gretel) | Arthur Fiedler, Boston Pops Orchestra | G Major | 2 | 9B | 58 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata": Schafe können sicher weiden | Johann Sebastian Bach, Sato Moughalian, Lumiere String Quartet | B♭ Major | 1 | 6B | 97 BPM | ||
| Schwanensee, Ballettsuite, Op. 20a: VIII. Mazurka " Hochzeitstanz " | Symphonic Festival Orchestra, Denise Cloutier | G Major | 3 | 9B | 213 BPM |