"Era de maggio - Live" by Pasquale Mario Costa, Francesco Ravasco had its release date on March 31, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 7 in Francesco Ravasco Racconta Napoli by Francesco Ravasco. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Era de maggio - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Era de maggio - Live by Pasquale Mario Costa, Francesco Ravasco is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 33 Miniatures: No. 25 Main theme from Hamlet | Giya Kancheli, Nino Gvetadze | D♭ Minor | 0 | 12A | 83 BPM | ||
| Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): I. Moderato | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Denza: Funiculì-funiculà (Orch. Schoenberg) | Luigi Denza, Orchestre De L'Opéra National De Lyon | D Major | 1 | 10B | 131 BPM | ||
| Marie-Galante ou l'Exil sans retour: Youkali [part 1] (Arr. for Countertenor & String Quartet by Eric Mouret) | Kurt Weill, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied | Fanny Mendelssohn, Trio Zadig | D Major | 1 | 10B | 101 BPM | ||
| Deep River (Arr. The Kanneh-Masons for Ensemble) | Samuel Coleridge-Taylor, The Kanneh-Masons | E Major | 1 | 12B | 82 BPM | ||
| L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
| Elegy (on a song by Sayat-Nova) | Arno Babadjanian, Jean-Paul Gasparian | D Minor | 1 | 7A | 68 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | D Major | 1 | 10B | 131 BPM | ||
| Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 1 | 9B | 72 BPM | ||
| Tosca, Act III: E lucevan le stelle (Arr. for Saxophone Quartet & Piano by Stefan Malzew) | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Daniel Behle, Alliage Quintett | B Minor | 1 | 10A | 166 BPM | ||
| カプリオール組曲: IV. Bransles | Peter Warlock, 石田組 | G Minor | 4 | 6A | 157 BPM | ||
| Suite Italienne: II. Serenata | Igor Stravinsky, Anastasia Kobekina, Jean-Sélim Abdelmoula | C Minor | 1 | 5A | 88 BPM | ||
| Delibes: Lakmé, Act 1: Duo des fleurs (Transcr. Ducros for Cello Ensemble) | Gautier Capuçon, Capucelli | G Major | 1 | 9B | 98 BPM | ||
| Cervantes: Amor Y Locura | André Mehmari, Cervantes, Jabez Lima | D Major | 1 | 10B | 131 BPM | ||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Nocturne, Op. 9,2 | Frédéric Chopin, Joanna Madroszkiewicz, Paul Gulda | E♭ Major | 0 | 5B | 115 BPM | ||
| Die stumme Serenade, Op. 36: No. 25, Schönste Nacht (Transcr. Sonnenmoser for Violin & Piano) | Erich Wolfgang Korngold, Bomsori, Thomas Hoppe | D Major | 2 | 10B | 86 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: II. Adagio (Transcr. Ottensamer for Clarinet and Piano) | Franz Schubert, Andreas Ottensamer, José Gallardo | F♯ Major | 0 | 2B | 69 BPM | ||
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Pecche? | Luigi Denza, Francesco Paolo Tosti, Pasquale Mario Costa, Emanuele Nutile, Nicola Valente, Giambattista De Curtis, Rodolfo Falvo, Ernesto Tagliaferri, Joseph Giuseppe Gioé, Manuel Penella, Salvatore D'esposito, Domenico Modugno, Sergio Rendine, Philharmon | F Minor | 1 | 4A | 86 BPM | ||
| À Chloris | Reynaldo Hahn, Samuel Mariño, Jonathan Ware | D♭ Minor | 0 | 12A | 61 BPM |