Duke Burrell's ' "After Hours" was released on its scheduled release date, December 4, 2013. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 19 in Crescent City Piano Players by Earl Roach, Duke Burrell, Louis Gallaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, After Hours is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of After Hours by Duke Burrell is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H. M. Blues | Dutch Swing College Band | F Minor | 3 | 4A | 123 BPM | ||
| Lazzy River | Lake City Stompers | A Minor | 2 | 8A | 78 BPM | ||
| Bad Penny Blues | Humphrey Lyttelton | F Minor | 3 | 4A | 86 BPM | ||
| Slim's Thing | Willie Dixon, Memphis Slim | F Major | 3 | 7B | 102 BPM | ||
| St Louis Blues | David Hermlin | B♭ Major | 2 | 6B | 88 BPM | ||
| Schwarze Augen | Klaus Doldinger | F Minor | 4 | 4A | 118 BPM | ||
| King Porter Stomp | Norbert Susemihl, Shaye Cohn | F Minor | 3 | 4A | 94 BPM | ||
| Blue Sunshine | Chris Barber's Jazz Band | C Major | 8 | 8B | 140 BPM | ||
| Doctor Jazz | George Lewis | D Minor | 3 | 7A | 166 BPM | ||
| Bass Goin Crazy | Axel Zwingenberger | A Minor | 4 | 8A | 176 BPM | ||
| I Can't Believe That You're in Love with Me (feat. Lars Edegran's Jazz Band) | Doc Cheatham, Sammy Price, Lars Edegran's Jazz Band | B♭ Major | 4 | 6B | 167 BPM | ||
| Yancey Stomp | Jimmy Yancey | C Major | 4 | 8B | 103 BPM | ||
| Bolo Blues | Jimmy Forrest | D♭ Major | 2 | 3B | 93 BPM | ||
| Should I / I Can't Believe That You're In Love With Me - Medley / Live In Las Vegas /1958 / Remastered 1999 | Louis Prima & Keely Smith, Sam Butera & The Witnesses | D Minor | 3 | 7A | 91 BPM | ||
| 'Round Midnight | Charles Brown | E♭ Minor | 2 | 2A | 73 BPM | ||
| Jumpin' At the Deuces | Slam Stewart | A♭ Major | 1 | 4B | 76 BPM | ||
| Pappy's B-Flat Blues | Woody Allen, Eddy Davis, Greg Cohen, Simon Wettenhall, Jerry Zigmont, Cynthia Sayer, Rob Garcia | B♭ Major | 2 | 6B | 69 BPM | ||
| The 408 Special | Glenn Crytzer | G Minor | 1 | 6A | 78 BPM | ||
| Dollar Bill Boogie | Big Joe Duskin | C Major | 6 | 8B | 106 BPM | ||
| Suitcase Blues | Albert Ammons | G Major | 4 | 9B | 177 BPM | ||
| Tobacco Road - Live | Lou Rawls | F Major | 3 | 7B | 78 BPM | ||
| Mean To Me (05-11-37) | Teddy Wilson | A Minor | 2 | 8A | 109 BPM | ||
| Bluesy Attic | Christian Bleiming | B♭ Major | 2 | 6B | 103 BPM | ||
| Blue-eyed Devil | James Goodwin | E♭ Major | 4 | 5B | 80 BPM | ||
| Boogie Woogie Stomp | Albert Ammons | C Major | 4 | 8B | 94 BPM |