Anuradha Paudwal's ' "Hey Chandne Fulani" was released on its scheduled release date, January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Shukratara Part 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Hey Chandne Fulani is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hey Chandne Fulani by Anuradha Paudwal having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andaaz Aarshacha Wate Khara | Bhimrao Panchale | D♭ Major | 8 | 3B | 150 BPM | ||
| Hi Ratra Milanachi | Anuradha Paudwal | G Major | 4 | 9B | 141 BPM | ||
| Pratham Tuj Pahata | Ramdas Kamat | G Major | 4 | 9B | 115 BPM | ||
| Aai Majhi Konala Pavli | Mangesh Datta | B♭ Minor | 7 | 3A | 125 BPM | ||
| Digambara Digambara | Shankar Mahadevan | D Minor | 7 | 7A | 75 BPM | ||
| Swamimay Zalo (feat. Sarvesh Sable, Rupesh Shirode, Akash Argade) | Rohit Raut, Shubham Landge, Rutuja Pathak | D♭ Major | 6 | 3B | 95 BPM | ||
| Ramya Hi Swargahuni Lanka | Bhimsen Joshi | G Minor | 4 | 6A | 122 BPM | ||
| Jhunjur Munjur | Asha Bhosle, Shantaram Nandgaokar | D Major | 5 | 10B | 115 BPM | ||
| Priye Ye Nighuni - Version 2 | Sandeep Khare, Salil Kulkarni | E♭ Major | 3 | 5B | 138 BPM | ||
| Sanai Cha Sur Kasa | Swapnil Bandodkar | F Major | 8 | 7B | 142 BPM | ||
| Laajun Hasane | Hridaynath Mangeshkar | D♭ Major | 4 | 3B | 147 BPM | ||
| Bagh ughaduni dar | Roop Kumar Rathod | G Minor | 9 | 6A | 170 BPM | ||
| Omkar Pradhan Rup | Suman Kalyanpur | G Minor | 3 | 6A | 82 BPM | ||
| Paus Asa Runjhunta | Sandeep Khare, Salil Kulkarni | F♯ Major | 5 | 2B | 140 BPM | ||
| Police Wala - Cycle Wala | Shabbir Kumar, Usha Mangeshkar | A Major | 9 | 11B | 170 BPM | ||
| Nastes Ghari Tu | Salil Kulkarni | A♭ Major | 3 | 4B | 105 BPM | ||
| Naad Vitthal Vitthal | Vasant Ajgaonkar | F♯ Major | 10 | 2B | 90 BPM | ||
| Jejurichya Khanderaya | Ajay-Atul, Ramanand Ugale | A♭ Major | 9 | 4B | 125 BPM | ||
| Aga Pori Sambhal | Mohammed Rafi, Pushpa Pagdhare | A♭ Major | 7 | 4B | 91 BPM | ||
| Chabidar Chabi | Usha Mangeshkar | A Minor | 5 | 8A | 88 BPM | ||
| Pehli Baar Hua Hai | Mohammed Aziz, Anuradha Paudwal | F♯ Minor | 4 | 11A | 150 BPM | ||
| Dillicha Dalan | Anand Shinde | B♭ Minor | 9 | 3A | 175 BPM | ||
| TumcHya Pudhyat Kutate Mi Ha Jvanicha Masala | Shaila Chikhale | A Minor | 7 | 8A | 85 BPM | ||
| Kuni Majhya Manat Laplay Re | Usha Mangeshkar, Chandrashekhar Gadgil | A Minor | 3 | 8A | 88 BPM | ||
| Ya Go Dandyavarna | Mangesh Datta | A♭ Minor | 4 | 1A | 103 BPM |