"Final Conversation" by Christopher Lennertz had its release date on 2010. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christopher Lennertz's "Mass Effect 2: Overlord (Original Videogame Score)" album is number 1 out of 4. Final Conversation is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Final Conversation by Christopher Lennertz to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| I'm Proud Of You | Sam Hulick | A Minor | 1 | 8A | 139 BPM | ||
| Solace | Neil Davidge | D Minor | 2 | 7A | 75 BPM | ||
| Komoda Beach | Ilan Eshkeri | A♭ Major | 2 | 4B | 84 BPM | ||
| By Choice, by Fate (feat. Julie Elven) | Oleksa Lozowchuk, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Machine | Steven Price | C Minor | 2 | 5A | 66 BPM | ||
| For The Craftworld | Doyle W. Donehoo | C Major | 6 | 8B | 78 BPM | ||
| Elder Scrolls – Skyrim: Far Horizons | Crouch End Festival Chorus, London Philharmonic Orchestra | B♭ Major | 1 | 6B | 66 BPM | ||
| Heart of the Swarm | Neal Acree, Cris Velasco, StarCraft, Blizzard Entertainment | D Major | 4 | 10B | 135 BPM | ||
| Reaper of Souls | Derek Duke, Diablo, Blizzard Entertainment | E Minor | 4 | 9A | 87 BPM | ||
| Imperatrix Mundi | Jo Blankenburg | G Minor | 5 | 6A | 99 BPM | ||
| Prelude To War | Cris Velasco, Sascha Dikiciyan | E♭ Major | 2 | 5B | 80 BPM | ||
| The Normandy Reborn | Jack Wall | E Minor | 4 | 9A | 112 BPM | ||
| Captured! | Christopher Lennertz | A♭ Minor | 3 | 1A | 153 BPM | ||
| The Ninth Legion | Atli Örvarsson | A Minor | 1 | 8A | 74 BPM | ||
| Dark Matter | Twelve Titans Music | A♭ Major | 2 | 4B | 117 BPM | ||
| A New Day In The Old Town | Chris Tilton | C Minor | 2 | 5A | 160 BPM | ||
| To The End Of The Galaxy (From Stellaris Original Game Soundtrack) - Additional Take | Andreas Waldetoft | C Minor | 3 | 5A | 90 BPM | ||
| Enough is Enough (Suite) | Christopher Lennertz, KT Tunstall | D Major | 4 | 10B | 139 BPM | ||
| Emma | Steven Price | D Minor | 4 | 7A | 120 BPM | ||
| This Court Is Now In Session | Nick Arundel | A♭ Major | 7 | 4B | 150 BPM | ||
| Sisters | Ceyran Huseynova, Feirn Mont | D Major | 2 | 10B | 90 BPM | ||
| Titus | Cris Velasco, Sascha Dikiciyan | A♭ Major | 4 | 4B | 150 BPM | ||
| Bloodborne | SIE Sound Team | G Major | 4 | 9B | 164 BPM | ||
| The Final Reckoning | Jack Wall | E Minor | 3 | 9A | 83 BPM |