"Gotta Light" by Ramin Djawadi had its release date on January 1, 2011. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Gotta Light's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 20 in Fright Night (Original Motion Picture Soundtrack) by Ramin Djawadi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Gotta Light is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gotta Light by Ramin Djawadi is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Many Meetings | Howard Shore | C Major | 1 | 8B | 65 BPM | ||
| Geralt Of Rivia | Marcin Przybyłowicz | E Minor | 6 | 9A | 84 BPM | ||
| The Next Screen (Bonus) | Jeff Russo, Jordan Gagne | E Minor | 3 | 9A | 120 BPM | ||
| Everytime You Leave | Sonya Belousova, Giona Ostinelli | B Minor | 3 | 10A | 144 BPM | ||
| Meeting Bruce Wayne | Hildur Guðnadóttir | F♯ Minor | 4 | 11A | 100 BPM | ||
| The Creed | Jed Kurzel | B♭ Minor | 3 | 3A | 121 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Binary Sunset (Reimagined) [From Star Wars Episode IV: A New Hope] | Daniel Ciurlizza | C Minor | 3 | 5A | 114 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| A Different Equation | Alexandre Desplat, London Symphony Orchestra | C Minor | 0 | 5A | 119 BPM | ||
| Past/Present Suite | Nicholas Britell | B Minor | 2 | 10A | 100 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| The Born King | Daniel Pemberton | D Minor | 2 | 7A | 110 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| The Ballad of Londinium - Bonus Track | Daniel Pemberton | D Major | 2 | 10B | 140 BPM | ||
| The Knights' Theme (From "The Order: 1886" Video Game Soundtrack) | Jason Graves | F Major | 2 | 7B | 84 BPM | ||
| Twilight and Shadow (feat. Renee Fleming) | Howard Shore, Renée Fleming | E Minor | 1 | 9A | 74 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| Battlefield One | Johan Söderqvist, Patrik Andrén | B♭ Minor | 3 | 3A | 140 BPM | ||
| The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Be with Me | Ramin Djawadi | C Minor | 0 | 5A | 51 BPM | ||
| Goodbye Brother | Ramin Djawadi | E♭ Major | 0 | 5B | 127 BPM |