Blindside's 'Coming Back to Life' had a release date set for August 20, 2002. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Coming Back to Life's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Silence". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Coming Back to Life is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Coming Back to Life by Blindside having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unheard | Boy Hits Car | F Major | 8 | 7B | 130 BPM | ||
| Nothing Sacred | Memento | B Major | 10 | 1B | 192 BPM | ||
| A Toast To Bad Taste | Far-Less | G Minor | 10 | 6A | 174 BPM | ||
| You And Me | The Ascendicate | D♭ Minor | 10 | 12A | 200 BPM | ||
| Devil's Concubine | Hopesfall | G Minor | 9 | 6A | 122 BPM | ||
| Detainer | Day Of Fire | B Minor | 9 | 10A | 146 BPM | ||
| Vices | Dead Poetic | D♭ Major | 7 | 3B | 174 BPM | ||
| After You're Gone | Blindside | D Minor | 8 | 7A | 142 BPM | ||
| I Mostly Copy Other People | The Almost | C Major | 9 | 8B | 174 BPM | ||
| Speak Your Mind | 12 Stones | F Major | 9 | 7B | 165 BPM | ||
| Obedience Through Desecration | Sinai Beach | D Major | 10 | 10B | 161 BPM | ||
| Silhouettes Fade | Boy Hits Car | F Major | 10 | 7B | 110 BPM | ||
| High Noise Low Output | Norma Jean | F♯ Minor | 9 | 11A | 115 BPM | ||
| Truth or Consequence | Eighteen Visions | D♭ Minor | 10 | 12A | 145 BPM | ||
| Our Little Secret | Justifide | F Minor | 8 | 4A | 103 BPM | ||
| Wolves | Chasing Victory | E♭ Minor | 10 | 2A | 150 BPM | ||
| Wrongdoers | Norma Jean | G Major | 9 | 9B | 142 BPM | ||
| Hollow Again | Project 86 | A Major | 9 | 11B | 86 BPM | ||
| Midnight | Blindside | E♭ Minor | 8 | 2A | 156 BPM | ||
| Thus From My Lips, By Yours, My Sin Is Purged | As Cities Burn | G Minor | 9 | 6A | 151 BPM | ||
| About a Burning Fire | Blindside | E♭ Minor | 8 | 2A | 92 BPM | ||
| Monster On the Radio | Blindside | D♭ Minor | 8 | 12A | 120 BPM | ||
| Defamed | ASHES dIVIDE | B Major | 9 | 1B | 138 BPM | ||
| Home | 12 Stones | D Minor | 9 | 7A | 77 BPM | ||
| Bonethrower | The Revolution Smile | F♯ Minor | 9 | 11A | 103 BPM |