"Marelle et plomb" by Régïs Boulard, Louis Soler, Régis Huby had its release date on September 30, 2020. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "There Is Ground Under Ground". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. In terms of popularity, Marelle et plomb is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Marelle et plomb by Régïs Boulard, Louis Soler, Régis Huby having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Som Plommen i Egget | Storytelling Sounds | A Major | 3 | 11B | 120 BPM | ||
| solo techno beat | PAYARUKPA | B Minor | 2 | 10A | 133 BPM | ||
| Heal Spell | Edson Ensemble | B♭ Major | 1 | 6B | 116 BPM | ||
| For Each, A Flower | Nels Cline | E Major | 0 | 12B | 84 BPM | ||
| Wood | Shake Stew | C Major | 1 | 8B | 80 BPM | ||
| Monsoon: Top to Bottom | Portico Quartet | F Minor | 4 | 4A | 73 BPM | ||
| Gang of One | Neil Cowley Trio | C Major | 2 | 8B | 96 BPM | ||
| The Dark Eyes Of Martha Hirsch | Tomasz Stanko Quintet | G Major | 3 | 9B | 120 BPM | ||
| Love Song 3, Pt. 3 | Mike Westbrook Concert Band | A Major | 1 | 11B | 66 BPM | ||
| Ulaz | Bojan Z | E Major | 2 | 12B | 100 BPM | ||
| GONZALEZ | Ramón Galarza´s Band, DESIDÉRIO LÁZARO, MIGUEL NORONHA DE ANDRADE | C Major | 1 | 8B | 80 BPM | ||
| Too Many Cooks | Portico Quartet | C Minor | 3 | 5A | 132 BPM | ||
| Mr Donald Cerise | Henri Texier | G Major | 2 | 9B | 136 BPM | ||
| Wild Bird | John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas | B♭ Major | 2 | 6B | 129 BPM | ||
| The Face of Mount Molehill | Neil Cowley Trio | D Major | 2 | 10B | 82 BPM | ||
| Garage | Shake Stew | C Major | 1 | 8B | 80 BPM | ||
| Modul 47 | Nik Bärtsch | B♭ Minor | 5 | 3A | 111 BPM | ||
| Albert Kahn | Girls in Airports | C Minor | 2 | 5A | 170 BPM | ||
| Did They Ever Tell Cousteau? | Esbjörn Svensson Trio | E Major | 5 | 12B | 145 BPM | ||
| White Shadow | Im tae woong | B Minor | 3 | 10A | 183 BPM | ||
| Luposcope | Get The Blessing | E♭ Major | 1 | 5B | 105 BPM | ||
| End Titles | Régïs Boulard | D♭ Major | 3 | 3B | 99 BPM | ||
| Party lines | Nunes810 | B♭ Minor | 5 | 3A | 93 BPM | ||
| Profondément | David Euverte, Régïs Boulard, Mistress Bomb H, Daniel Paboeuf | D Major | 6 | 10B | 130 BPM | ||
| Head can dance | Régïs Boulard | D♭ Major | 7 | 3B | 124 BPM |