"Assemblés" by Ludwig Minkus, Charles Mathews had its release date on March 12, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 2" album is number 20 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Assemblés is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Assemblés by Ludwig Minkus, Charles Mathews to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleeping Beauty/Aurora Variation(Act.3) | Kim Ji Hyun | E Major | 2 | 12B | 112 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| Don Quixote: Act II: The Queen of the Dryads | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 1 | 9A | 81 BPM | ||
| Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM | ||
| Le Corsaire: Act III - "4. Le Jardin Anime: Waltz" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 0 | 4B | 142 BPM | ||
| Polonaise militaire, Op. 40, No 1 | Frédéric Chopin, New York Philharmonic, Andre Kostelanetz | A Major | 4 | 11B | 95 BPM | ||
| Don Quixote: Act I: Their Friends | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 1 | 10B | 114 BPM | ||
| Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 4, Variation II | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | C Major | 1 | 8B | 171 BPM | ||
| Faust, Act II - Waltz | Wiener Symphoniker, Willi Boskovsky | D Major | 2 | 10B | 109 BPM | ||
| Don Quixote: Act II: Giga | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 3 | 7B | 109 BPM | ||
| Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
| Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Swan Lake/Odette Variation(Act.2) | Kim Ji Hyun | E Major | 2 | 12B | 124 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 184 BPM | ||
| First Pirouette Waltz (from Don Quixote) | Douglas Schultz, Ludwig Minkus | D Major | 2 | 10B | 140 BPM | ||
| Romeo and Juliet, Op. 64 (Excerpts): Act I, Scene 2, No. 13: Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
| No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | ||
| Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
| Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
| Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM |