Moore & Moore's 'Where You Were Coming from' had a release date set for April 17, 2012. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Show Me Your Country". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Where You Were Coming from is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Where You Were Coming from by Moore & Moore having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mama, Why? | Country Angel | B Major | 3 | 1B | 118 BPM | ||
| Mama Was A Working Man | Becky Hobbs | A Major | 4 | 11B | 135 BPM | ||
| reno town | Faith Ridge | A Major | 7 | 11B | 125 BPM | ||
| Out Among The Stars | Shannon McNally, Jessi Colter | A Major | 4 | 11B | 76 BPM | ||
| (I’d Be A) Legend in My Time | Teea Goans | A Major | 4 | 11B | 114 BPM | ||
| Died With His Boots On | The Hello Darlins | A Major | 6 | 11B | 120 BPM | ||
| Every Single Time | Elsa Tamirs | A Major | 7 | 11B | 125 BPM | ||
| People Come and People Go | Iris P. | D Major | 3 | 10B | 170 BPM | ||
| The Gambler (Live on the Grand Ole Opry, March 29th, 2025) | Don Schlitz, Grand Ole Opry, Vince Gill | D Major | 5 | 10B | 76 BPM | ||
| One Man Show | Johnathan Len | A Major | 6 | 11B | 122 BPM | ||
| He's gone, gone, gone | Hilde Fjørtoft | C Major | 5 | 8B | 97 BPM | ||
| You Can Always Turn To Me | Dixie Reid Original | A Major | 7 | 11B | 125 BPM | ||
| Lord It Sure Is Drunk out Tonight | Wyatt Massingille | F Major | 4 | 7B | 89 BPM | ||
| Is Anybody Going to San Antone | Buddy Jewell | E Major | 5 | 12B | 114 BPM | ||
| When My Blue Moon Turns to Gold Again | Country Angel | D Major | 4 | 10B | 95 BPM | ||
| ENTERTAINERS AT HEART | Hilljacks, Lillian Askeland | C Major | 6 | 8B | 166 BPM | ||
| Don't Sweat the Small Stuff | Seneca Shaganappi, Terri Anne Strongarm | G Major | 5 | 9B | 116 BPM | ||
| Fading Every Memory Of You | Dixie Reid Original | A Major | 7 | 11B | 125 BPM | ||
| Lonesome (As The Night Is Long) | Lacy J. Dalton | A Major | 4 | 11B | 89 BPM | ||
| While You Slept Last Night | Highway 101 | A♭ Major | 2 | 4B | 91 BPM | ||
| A Violin That Never Has Been Played (feat. Amber Digby) | Red Jenkins | D♭ Major | 6 | 3B | 113 BPM | ||
| I've Heard These Very Lines Before | Rick Johnson | C Major | 3 | 8B | 96 BPM | ||
| Walk Softly | Rita MacNeil | D Major | 6 | 10B | 121 BPM | ||
| Milky Madness | Meroy Harriman | E Minor | 6 | 9A | 103 BPM | ||
| Last Light Over Appalachia | Lone Star Serenades | B♭ Major | 8 | 6B | 146 BPM |