"Jane Eyre, Act I: Silence. Quietness (Jane, Rochester)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh had its release date on September 1, 2002. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Jane Eyre, Act I: Silence. Quietness (Jane, Rochester) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jane Eyre, Act I: Silence. Quietness (Jane, Rochester) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canto Ostinato: Coda | Simeon ten Holt, Aart Bergwerff, Eric Vloeimans | B♭ Minor | 1 | 3A | 147 BPM | ||
| Cage: In a Landscape | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
| You Take My Breath Away | Jodie Devos, Nicolas Krüger | E Minor | 0 | 9A | 78 BPM | ||
| Seven | Michael Berkeley, Berkeley Ensemble, Dominic Grier | B♭ Major | 3 | 6B | 140 BPM | ||
| Rocky (The Legacy) | Rick Wakeman, The Orion Strings, Guy Protheroe, English Chamber Choir | G Major | 2 | 9B | 118 BPM | ||
| The Windmills of Your Mind (From "The Thomas Crown Affair") | Michel Legrand, Renaud Capuçon, Les Siècles, Duncan Ward | D Major | 2 | 10B | 83 BPM | ||
| Strange Fruit (Arr. Kanneh-Mason & Gillam for Cello & Saxophone) | Sheku Kanneh-Mason, Jess Gillam | G Minor | 0 | 6A | 135 BPM | ||
| When I Fall in Love (Arr. Evans / Transcr. Trifonov for Piano) | Victor Young, Daniil Trifonov | D Minor | 0 | 7A | 104 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | D Minor | 0 | 7A | 121 BPM | ||
| Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | Max Bruch, Niek Baar, Deutsche Radio Philharmonie, Christoph Poppen | E♭ Major | 1 | 5B | 112 BPM | ||
| Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
| Thank God | Jon Anderson, The Band Geeks | D Major | 6 | 10B | 116 BPM | ||
| Touch Light - for soprano, countertenor and string quartet | Michael Berkeley, The Marian Consort, Berkley Ensemble, Zoe Brookshaw, Rory McCleery, David Wordsworth | G Major | 1 | 9B | 75 BPM | ||
| I'll Catch You | Deep Purple | D Major | 9 | 10B | 82 BPM | ||
| Love Song (After JE) | Max Richter | F Minor | 1 | 4A | 99 BPM | ||
| Romance, Op. 36 | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 83 BPM | ||
| Fierce Tears I | Michael Berkeley, James Turnbull, Huw Watkins | C Major | 0 | 8B | 163 BPM | ||
| And Dream of Sheep (Arr. W. Newell for String Quartet) | Kate Bush, William Newell, Solem Quartet | E Major | 1 | 12B | 88 BPM | ||
| A night in Reno | Joep Beving, Maarten Vos | G Major | 1 | 9B | 155 BPM | ||
| Only Because of You / Lord Is It Mine? | Roger Hodgson | A Major | 3 | 11B | 78 BPM | ||
| Wild Bells | Michael Berkeley, Tom Winpenny | F Major | 2 | 7B | 76 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": II. Lento e Largo – Tranquillissimo | Henryk Górecki, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 3 | 5A | 76 BPM | ||
| Etude No.16 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
| Erase | Airbag | A Major | 6 | 11B | 165 BPM | ||
| Snake | Michael Berkeley, Elizabeth Starr Masoudnia | C Major | 0 | 8B | 73 BPM |